Parution : Timothy Verdon, “Method, Meaning, Mystery”, Turnhout, Brepols, 2025
The present volume is the first of eight that read Christian art and architecture in relation to Scripture and exegesis, to theology, to liturgy, and to devotional piety. Entitled Method and Meaning, it focusses on constants in the two millennia since artists began to interpret what Christians believe and experience. Its goal is to suggest an interdisciplinary approach suited to the variety of works produced in that temporal span.
TABLE OF CONTENTS
Author’s Foreword
I. The Visible Word
II. Images of Ideas
III. Images and Spaces for the Liturgy
IV. Art and Devotion
V. The Influence of Non-Ecclesial Culture
VI. Tradition
VII. ‘Sacred’, ‘Religious’, ‘Moralising’
VIII. The Mother of God
IX. The Last Things
X. Seeing, Believing, Understanding
Bibliographic Note
Name Index
OpenEdition vous propose de citer ce billet de la manière suivante :
Fiammetta Campagnoli (4 août 2026). Parution : Timothy Verdon, “Method, Meaning, Mystery”, Turnhout, Brepols, 2025. Collectif d'Historiens de l'Art de la Renaissance. Consulté le 8 août 2026 à l’adresse https://doi.org/10.58079/16ngk



