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Catégorie : À l’étranger

Exposition : « Hand in Hand. Sculpture and colour in the Spanish Golden Age », Madrid, Museo Nacional del Prado, 19 novembre 2024-2 mars 2025

On display until 2 March 2025 in Rooms A and B of the Jerónimos Building, the Museo del Prado and Fundación AXA are presenting Hand in hand. Sculpture and Colour in the Spanish Golden Age, an exhibition that focuses on the success of Baroque polychrome sculpture and its close relationship with painting. It achieves this aim through a spectacular installation of almost one hundred sculptures by masters of the stature of Gaspar Becerra, Alonso Berruguete,...

Exposition : « Drawn to Blue: Artists’ use of blue paper », Londres, The Courtauld, 2 octobre 2024-26 janvier 2025

2 Oct 2024 – 26 Jan 2025  The Gilbert and Ildiko Butler Drawings Gallery  This display will present a selection of drawings on blue paper from The Courtauld’s collection, ranging from works by the Venetian Renaissance artist Jacopo Tintoretto to an Indian landscape by German-born artist Johann Zoffany. Made from fibres derived from blue rags, blue paper first appeared in Northern Italy in the 14th century. It became a popular drawing support for artists, and its use...

Exposition : “Guercino. L’era Ludovisi a Roma”, Rome, Scuderie del Quirinale, du 31 octobre 2024 au 26 janvier 2025

il 28 gennaio 1621, dopo quasi sedici anni di pontificato, muore Paolo V, il Papa Borghese. Dopo poco più di dieci giorni viene eletto Alessandro Ludovisi che sceglierà il nome pontificale di Gregorio XV. Quasi subito Gregorio XV conferirà l’incarico di maggiore rilievo, quello di Sovrintendente generale dello Stato Pontificio, al nipote Ludovico Ludovisi. Inizia così la brevissima ma intensa era Ludovisi, determinante e cruciale nella storia della Chiesa e nelle vicende della Storia dell’Arte....

Exposition : “Exceptional Picture Frames”, Madrid, Museo Thyssen Bornemisza, jusqu’au 21 janvier 2025

In addition to being a decorative object, the frame is an essential part of the presentation of a painting. It helps the viewer direct their gaze to the centre of the composition and focus their attention on it, while separating the physical space in which they are located from the fictitious scene represented by the artist. The museum is presenting an installation of eleven works from the Permanent Collection dating from the 14th to the 17th centuries...

Exposition : « The Leidner Donation. Northern Italian Painting from the 17th Century », Berlin, Gemäldegalerie, 18 avril-24 novembre 2024

Thanks to a generous donation by collector Dr Günter Leidner, the holdings of the Gemäldegalerie were recently expanded to include three major works by the northern Italian painters Antonio Zanchi, Cristoforo Savolini and Daniele Crespi. After undergoing extensive restoration work, the paintings will now be presented to the public along with other works from northern Italy as part of a special display. This exhibition represents the swansong of the Gemäldegalerie’s long-serving curator, Roberto Contini. Previously,...

Exposition : « Vice, vertu, désir, folie. Trois siècles de chefs-d’œuvre flamands », Montréal, Musée des beaux-arts de Montréal, jusqu’au 20 octobre 2024

Les grands peintres flamands s’invitent au MBAM dans cette exposition d’envergure qui rassemble des chefs-d’œuvre de Hans Memling, de Pierre Paul Rubens, d’Antoine van Dyck, de Jacob Jordaens et de Michaelina Wautier, parmi tant d’autres. Abordant des thèmes qui ont de tout temps fasciné l’humanité, Vice, vertu, désir, folie vous propose de découvrir près de 150 œuvres et objets d’art – dont la plupart sont issus de la remarquable collection d’art flamand de la Fondation Phoebus – et...

Exposition : « Federico Barocci Urbino. L’emozione della pittura moderna », Urbin, Galleria Nazionale delle Marche, 20 juin-6 octobre 2024

Si intitola semplicemente “Federico Barocci Urbino. L’emozione della pittura moderna” la mostra monografica che per quattro mesi – dal 20 giugno fino al 6 ottobre 2024 – si potrà ammirare nei suggestivi spazi del Palazzo Ducale di Urbino. Curata da Luigi Gallo (Direttore della Galleria delle Marche) e Anna Maria Ambrosini Massari (Docente di Storia dell’Arte moderna all’Università di Urbino), con Giovanni Russo e Luca Baroni, la mostra porta per la prima volta a Urbino...

Exposition : « National Treasures: The Wilton Diptych in Oxford », Oxford, Ashmolean Museum, 10 mai-1er septembre 2024

The Ashmolean is proud to be a partner venue for the National Treasures displays in 2024. As part of its 200th birthday celebrations, the National Gallery is loaning 12 paintings to venues around the UK, with the displays all opening on 10 May 2024. The Ashmolean will display the Wilton Diptych, painted about 1395-9 and made for Richard II, King of England from 1377 to 1399. The small, portable altarpiece is one of a handful of English...

Parution : Roberta Morosini, “Dante, Moses and the Book of Islam – Visualizing the Qur’an, from Byzantium to Filippino Lippi’s Adoration of the Golden Calf”, Rome, L’Erma Di Bretschneider, mai 2024

What does a flying bull with a half moon on its belly in Filippino Lippi’s 1502 painting, the Adoration of the Golden Calf, have in common with Muhammad, as a character of Dante’s Comedy? This is the question that Roberta Morosini tries to answer by following the journey of a legend traveling in the Oriental Mediterranean. She argues that what Lippis’s painting and Dante’s Muhammad have in common is a legend of a celestial delivery...

Exposition : « The Last Caravaggio », Londres, National Gallery, 18 avril-21 juillet 2024

May 1610. Caravaggio is in Naples working on the last picture he’d ever paint. Two months later, he died in mysterious circumstances. But it was during his final tumultuous years that Caravaggio made some of his most striking works. His characteristic style includes tightly cropped scenes and dramatic lighting. He used real models with dirty feet and grimy fingernails. Few paintings are better placed to tell the story of Caravaggio’s final years than his last-known work, ‘The Martyrdom...