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Exposition : « Piero della Francesca, Monarch of Painting », Saint-Pétersbourg, Musée de l’Ermitage, jusqu’au 11 mars 2019

The exhibition provides a rare opportunity for people to acquaint themselves with this artist’s oeuvre, as there are no works by Piero della Francesca in Russian museum collections. The majority of the master’s important paintings are in Italy, in places less often visited by tourists: Urbino, Arezzo and Sansepolcro. The exhibition has been organized with the support of the public joint-stock petroleum refining company Rosneft.

The “discovery” of Piero della Francesca took place only in the middle of the 19th century. Prior to that, his works were often attributed to other artists or, scattered as they were in provincial towns of Italy, failed to attract especial attention. Nowadays there is great interest in Piero della Francesca and the artist himself is seen as a key figure in the Italian Quattrocento.

Piero della Francesca was one of the first to discover the laws of perspective. His works include a unique manuscript On Perspective in Painting that is in the collection of the Fondazione Palazzo Magnani and provides a basis for an understanding of the whole of perspective and the essence of the visual illusions of the Renaissance.

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OpenEdition vous propose de citer ce billet de la manière suivante :
Fiammetta Campagnoli (4 mars 2019). Exposition : « Piero della Francesca, Monarch of Painting », Saint-Pétersbourg, Musée de l’Ermitage, jusqu’au 11 mars 2019. Collectif d'Historiens de l'Art de la Renaissance. Consulté le 2 décembre 2024 à l’adresse https://doi.org/10.58079/mnxt


Fiammetta Campagnoli

Fiammetta Campagnoli est doctorante en histoire de l'art moderne à l'Université Paris 1 Panthéon-Sorbonne. Ses recherches se concentrent sur la perception et sur la réception de la spatialité de l’image mariale au XVe et au XVIe siècle.

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