Journée d’étude : “Setting the Scene: The Architectural Imagination of Renaissance Artists”, Londres, Université de Warwick, le 24 mai 2019
“Setting the Scene: the Architectural Imagination of Renaissance Artists” is a workshop exploring the representation of architecture in European painting between the fifteenth and the sixteenth centuries. Focussing on Italy and the Netherlands, its aim is to analyse the roles of architecture in narrative scenes through a series of case studies presented by established scholars, curators and early career researchers. Extended discussions after the papers will enable participants to probe in depth this emerging research topic, furthering our understanding of the architectural knowledge of artists, highlighting the inventiveness of their architectural solutions, and exploring the interplay between setting and narrative.
Programme
10.00-10.30 Registration with tea and coffee
10.30-10.40 Welcome
10.40 – 11.05 Livia Lupi, “Travelling Architecture: Structural and Ornamental Innovation in Masolino’s and Vecchietta’s Work at Castiglione Olona”
11.10 – 11.35 Caroline Elam, “Inventing the Credible: Mantegna and Painted Architecture”
11.35 – 12.00 Caroline Campbell, “Architecture and Place-Setting in the Work of Giovanni and Gentile Bellini”
12.00 – 12.30 Discussion
12.30 – 14.00 Lunch Break (lunch offered to speakers and chairs)
14.35 – 15.00 Katrien Lichtert, “ ‘All the World’s a Stage.’ Staging Practices in the Work of Pieter Bruegel the Elder”
15.05 – 15.30 Johannes Grave, “Nested Architectures. Painting, Urban Architecture and Furniture in the Berlin Ideal City Panel”
15.30 – 16.00 Discussion
16.00 – 16.20 Tea Break
16.20 – 17.00 Final Discussion and Concluding Remarks
OpenEdition vous propose de citer ce billet de la manière suivante :
Fiammetta Campagnoli (18 mai 2019). Journée d’étude : “Setting the Scene: The Architectural Imagination of Renaissance Artists”, Londres, Université de Warwick, le 24 mai 2019. Collectif d'Historiens de l'Art de la Renaissance. Consulté le 2 décembre 2024 à l’adresse https://doi.org/10.58079/mo00
