Parution : J.-M. Guillouët, « Flamboyant Architecture and Medieval Technicality: The Rise of Artistic Consciousness at the End of Middle Ages (c. 1400 – c. 1530) », Turnhout, Brepols, 2019
This book seeks to further our understanding of the socio-genesis of artistic modernity by turning to microhistory. It explores a late-medieval decorative procedure that emerged and spread in northern and central France from the early fifteenth century to the start of the following century. Using the well-known miniature, the Building of Solomon’s Temple in Jerusalem from the fifteenth-century codex of Les Antiquités judaïques as a starting point, this study deals with architecture and technical knowledge of builders. This investigation unpacks and reveals many aspects of the technical and visual culture of late medieval craftsmen and artists. The virtuosic skills these artisans displayed are worthy of inclusion in the development of technical practices of Flamboyant Gothic architecture. They also reflect broader cultural and social configurations, which go far beyond the history of building. This micro-historical perspective on what can be called “hyper-technical” Gothic contributes to our appreciation of the role of technical mastery in establishing social hierarchies and artistic individuation processes during the Late Middle Ages and Early Modern period.
Jean-Marie Guillouët was trained at the Sorbonne (Paris-IV) where he began his teaching career. Since 2002, he is a professor at the University of Nantes and was also in charge of the Medieval Studies section of the Institut National d’Histoire de l’Art (INHA), between 2008 and 2012. His principal field is fourteenth- and fifteenth-century sculpture and architecture in France and Portugal, but he also works on artistic and cultural interchanges in Gothic Europe. He has recently published several studies relating to microarchitecture in flamboyant Gothic and late medieval construction techniques as well as several books and papers on artistic production of the Late Middle Ages with a particular focus on sculpture and architecture. He is currently working on the social and cultural history of the technical gesture in late medieval craftsmanship. Since 2016, he is the scientific secretary of the Comité International d’Histoire de l’Art (CIHA).