Conférence : “Cosimo I de’Medici and Granducal Florence”, Londres, The Warburg Institute, le 29 janvier 2020, à 19h

Jonathan Davies (University of Warwick): ‘”He was supremely an imitator of [them]”: Cosimo I, Cosimo the Elder, and Lorenzo the Magnificent’

Gemma Cornetti (Warburg Institute): ‘Engraved Portraits for the Medici’
Throughout his lifetime, Duke Cosimo I de’ Medici gave attention, unprecedented in the history of the Medici family, to the commissioning of portraits of himself and his ancestors in various artistic media. In contrast to painted and sculpted portraits, portrait prints bearing his likeness, and issued when he was alive, did not stem from his direct commission – Cosimo was largely a recipient of them. In this paper, by focusing on these portrait prints, I aim to challenge modern concepts applied to portraiture such as ‘self-fashioning’, ‘self-projection’ or ‘propaganda’, and stress the greater role of printmakers and courtiers in the construction and dissemination of Cosimo’s likeness.

Cosimo I de’ Medici (1519-1574), first Grandduke of Tuscany, was both a consummate administrator and a fierce patron of the arts. The lecture series Cosimo I De’Medici and Granducal Florence celebrates the 500th anniversary of Cosimo I de’ Medici’s birth by bringing together scholars from across the humanities to discuss Cosimo’s achievements in art, architecture, statecraft, scholarship and culture. Pairs of scholars will offer specialist discussions over the course of six evenings, from June 2019 to January 2020. Evenings will be devoted to issues of diplomacy and spying, architectural and artistic commissions, the development of universities and libraries, as well as Cosimo’s personal learning and self-representation.

Citer ce billet
Fiammetta Campagnoli (2020, 4 janvier). Conférence : “Cosimo I de’Medici and Granducal Florence”, Londres, The Warburg Institute, le 29 janvier 2020, à 19h. Centre d'Histoire de l'Art de la Renaissance. Consulté le 24 mai 2024, à l’adresse

Fiammetta Campagnoli

Fiammetta Campagnoli est doctorante en histoire de l'art moderne à l'Université Paris 1 Panthéon-Sorbonne. Ses recherches se concentrent sur la perception et sur la réception de la spatialité de l’image mariale au XVe et au XVIe siècle.

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