Parution : actualité des publications scientifiques (hiver 2013-2014 / printemps 2014)
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ALBERTIANA (Vol. XVI, 2013)
Articles
Martin McLaughlin, Da «Lepidus» a «Leon Battista Alberti». Metamorfosi onomastiche e anonimizzazioni nell’Italia del Quattrocento
Nella Bianchi Bensimon, Du père à l’iciarca. La famille au coeur de la respublica albertienne
Anna Little, Image and nature in Alberti’s De pictura. A case of «model inversion»?
Anna Modigliani, Per la datazione del De re ædificatoria. Il codice e gli archetipi dell’Alberti
Mario Carpo, Le dessin d’architecture et le problème de la copie chez Alberti
Karim Basbous, La raison du dessin
Thomas Golsenne, Éthique et décor chez Alberti et Filarète
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ARTIBUS ET HISTORIAE (no. 67, vol. XXXIV)
Art in Sixteenth-Century Venice: Context, Practices, Developments. Proceedings of a Conference in Honour of Peter Humfrey (University of St Andrews, 3rd–6th May 2012) – PART ONE
Articles
KEITH CHRISTIANSEN – Bellini and the Meditational poesia (pp. 9-20)
ANCHISE TEMPESTINI – Giovanni Bellini nella storia dell’arte del XX secolo (pp. 49-55)
DAVID ALAN BROWN – Art and Espionage: Michael Straight’s Giorgione (pp. 101-116)
PATRICIA FORTINI BROWN – A Death in Venice: The Forgotten Tomb of Alvise Della Torre (pp. 137-159)
DEBRA PINCUS – Signatures of the Lombardo Workshop (pp. 161-174)
STEFANIA MASON – Le vanità di un cardinale: Alvise Pisani e il suo inventario (1570) (pp. 175-184)
JOANNA WOODS-MARSDEN – The Sword in Titian’s Portraits of Emperor Charles V (pp. 201-218)
TOM NICHOLS – The Master as Monument: Titian and his Images (pp. 219-238)
PAUL JOANNIDES – A Portrait by Titian of Girolamo Cornaro (pp. 239-249)
LUBA FREEDMAN – Apelles, Giovanni Bellini, and Michelangelo in Titian’s Life and Art (pp. 251-273)
MIGUEL FALOMIR – Titian, Jacopo Bassano and the Purification of the Temple (pp. 275-284)
JÓZEF GRABSKI – The Contribution of Collaborators in Titian’s Late Works (pp. 285-310)
Source : http://artibusethistoriae.org/issue67.html
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CAHIER D’ETUDES ITALIENNES (Numéro 17, 2013)
Articles
Anna Langiano, La réception du Roland furieux à la Renaissance : quelles possibilités de traductions ?
Source : http://www.lcdpu.fr/livre/?GCOI=27000100165280
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JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES (Volume LXXVI, 2013)
Articles (Part I)
Xenophon and the Barberini: Pietro da Cortona’s Sacrifice to Diana Timothy Rood
Philosophy for Princes: Aristotle’s Politics and its Readers during the French Wars of Religion Ingrid De Smet
John Spencer’s De Legibus Hebraeorum (1683-85) and ‘Enlightened’ Sacred History: A New Interpretation Dmitri Levitin
The Qur’an Translations of Marracci and Sale Alexander Bevilacqua
Abigail going to David: The Iconography of a Marble Capital from the Destroyed Romanesque Cloister at Notre-Dame-des-Doms, Avignon Andrew Chen
Articles (Part II)
Of Stars and Men: Matthew Paris and the Illustrations of MS Ashmole 304 Allegra Iafrate
Additional Thoughts about the Construction of Francesco di Giorgio’s Drawing of Atlas Kristen Lippincott
Martin Meurisse’s Garden of Logic Susanna Berger
A New Renaissance Source on Colour: Uberto Decembrio’s De candore Stuart M. McManus
The Classical Ideal of Male Beauty in Renaissance Italy: A Note on the Afterlife of Virgil’s Euryalus Hugh Hudson
Source : http://warburg.sas.ac.uk/publications/journal/forthcoming0/
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REVUE REFORME, HUMANISME, RENAISSANCE (N° 77, décembre 2013)
Fable/figure: récit, fiction, allégorisation à la Renaissance
Articles
Trung Tran, « ‘Par similitudes paraboliques et parolles faintes’. Les dynamiques de la figure au XVIe siècle »
Agnès Guiderdoni, « La figure réinventée au début de la période moderne »
Rachel Darmon, « Figuration, fable et théologie dans les traités de mythographie »
Françoise Graziani, « Pan figure de l’univers : la fabrique du sens dans la tradition mythographique de la Renaissance »
Richard Crescenzo, « L’allégorie et ses limites. Théorie et pratique de l’allégorie mythologique chez Barthélémy Aneau et Blaise de Vigenère »
Trung Tran, « Ce que l’emblématisation fait à la fiction : autour de l’Amour de Cupido et de Psiché (1546) »
Nora Viet, « Les pratiques de moralisation dans les recueils narratifs de la première Renaissance (1485-1530) »
Mawy Bouchard, « Sur les fictions ‘trop en corps’. Marguerite de Navarre et les illusions de l’écriture profane »
Jean Lecointe, « Du récit moralisé au récit moralisant : les Angoisses douloureuses et l’Amant ressuscité »
Anne Duprat, « Fable/figure. Sur deux lectures chrétiennes de la Poétique (Torquato Tasso, Paul Ricœur) »
Source : http://www.lcdpu.fr/livre/?GCOI=27000100253930
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THE ART BULLETIN (December 2013, Volume 96, Number 3)
Articles
KAREN LANG, The Sense of the Past and the Writing of History: Stephen Bann in Conversation with Karen Lang
GERD BLUM, Vasari on the Jews: Christian Canon, Conversion, and the Moses of Michelangelo
Abstract : The Life of Michelangelo published in 1550 under the name of Giorgio Vasari contains a description of crowds of Roman Jews making a pilgrimage every Sabbath to the church of S. Pietro in Vincoli to “adore” Michelangelo’s Moses. The veracity of Vasari’s “report” is explored in the context of the first edition of The Lives and conversion policies of the Counter-Reformation church. Vasari’s account of an alleged historical fact turns out to be a literary fiction underpinned by the theological topos of the “eschatological Jew” and the historiographical structure of The Lives, which models a Christian theology of history.
Source : http://www.collegeart.org/artbulletin/current
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SOURCE (Vol. XXXIII No. 1, Fall 2013)
Articles
John Turner, MICHELANGELO’S BLACKS IN THE LAST JUDGMENT
Norman E. Land, MICHELANGELO AND THE STONECUTTERS
Paul Barolsky, THE GENIUS OF MICHELANGELO’S CREATION OF ADAM AND THE BLINDNESS OF ART HISTORY
Source : http://source.bgc.bard.edu/
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CAHIER D’ETUDES ITALIENNES (Numéro 18, 2014)
Articles
Angela Dillon Bussi, Annotations sur Bartolomeo Sanvito, un scribe-enlumineur de la Renaissance vénitienne
Luciano Cheles, Michel-Ange recyclé : la Renaissance dans la culture de masse
Source : http://www.lcdpu.fr/livre/?GCOI=27000100253930
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MASTER DRAWINGS (Volume 52, Number 1, Spring 2014)
Articles
FURIO RINALDI, Girolama Genga as a Draftsman
Source : http://www.masterdrawings.org/content-current.php
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RENAISSANCE QUARTERLY (Vol. 67, No. 1, Spring 2014)
Articles
Brian Copenhaver and Daniel Stein Kokin, Egidio da Viterbo’s Book on Hebrew Letters: Christian Kabbalah in Papal Rome(pp. 1-42)
Joanne Paul, The Use of Kairos in Renaissance Political Philosophy(pp. 43-78)
Alejandra Giménez-Berger, Ethics and Economies of Art in Renaissance Spain: Felipe de Guevara’s Comentario de la pintura y pintores antiguos(pp. 79-112)
Comptes rendus d’ouvrages
Animal Imagery in Renaissance Art (pp. 164-180)
Commento al “Parmenide” di Platone by Marsilio Ficino
Review by: Michael J. B. Allen
Nicoletto Vernia: Studi sull’aristotelismo del XV secolo by Ennio De Bellis
Review by: Cristóváo S. Marinheiro
Lettere XV (marzo–agosto 1489)Lettere XVI (settembre 1489–febbraio 1490) by Lorenzo de’ Medici; Lorenzo de’ Medici
Review by: Alison Brown
Pliny and the Artistic Culture of the Italian Renaissance: The Legacy of the Natural History by Sarah Blake McHam
Review by: Robert W. Gaston
Michelangelo: A Life on Paper by Leonard Barkan
Review by: Kim Butler Wingfield
In Michelangelo’s Mirror: Perino Del Vaga, Daniele Da Volterra, Pellegrino Tibaldi by Morten Steen Hansen
Review by: Paul Barolsky
Ut pictura meditatio: The Meditative Image in Northern Art, 1500–1700 by Walter Melion; Ralph Dekoninck; Agnes Guiderdoni-Bruslè
Review by: Mitchell B. Merback
Lorenzo de’ Medici at Home: The Inventory of the Palazzo Medici in 1492 by Richard Stapleford
Review by: Tracy E. Robey
The Duke and the Stars: Astrology and Politics in Renaissance Milan by Monica Azzolini
Review by: Steven Vanden Broecke
Matter and Form in Early Modern Science and Philosophy by Gideon Manning
Review by: Elisabeth Moreau
Vincenzo Cartari’s Images of the Gods of the Ancients: The First Italian Mythography by Vincenzo Cartari
Review by: David G. Lummus
L’Inventio crucis nel teatro del rinascimento fiorentino: Una leggenda tra spettacolo, antisemitismo e propaganda by Gianni Cicali
Review by: Nerida Newbigin
Source : http://www.jstor.org/stable/10.1086/673576 (Disponible en intégralité sur JSTOR)
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BURLINGTON MAGAZINE (Mars 2014, Numéro 1332)
Articles
David Alan Brown and Anna Pizzati, «‘Meum amantissimum nepotem’: a new document concerning Giovanni Bellini »
Abstract : An unpublished document about Giovanni Bellini’s family background.
Amy Griffin and Antonio Mazzotta, « The discovery and conservation of a Nicolò di Pietro in the Cuming Museum, London »
Abstract : An early fifteenth-century panel painting of the Virgin Annunciate (c.1410–15) in the Cuming Museum, London, has recently been restored and attributed to Nicolò di Pietro.
Philip Cottrell, « Parrasio Micheli’s ‘St Francis’: a rediscovered work from the Palazzo dei Camerlenghi, Venice »
Abstract : A newly identified St Francis (c.1551–55) by Parrasio Micheli for the Palazzo dei Camerlenghi, Venice.
Comptes rendus d’ouvrages
M. Seidel, Father and Son: Nicola and Giovanni Pisano par Brendan Cassidy
A. Acconci and A. Zuccari, eds., Scipione Pulzone. Da Gaeta a Roma alle Corti europee par Frank Dabell
Source : http://www.burlington.org.uk/magazine/back-issues
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ART HISTORY, SPECIAL ISSUE: ANDREA MANTEGNA
Edited by Stephen J. Campbell and Jérémie Koering, April 2014, Volume 37, Issue 2, Pages 204–399.
Articles
Stephen J. Campbell and Jérémie Koering, In Search of Mantegna’s Poetics: An Introduction (pages 208–221)
Klaus Krüger, Andrea Mantegna: Painting’s Mediality (pages 222–253)
Daniel Arasse, Signing Mantegna (pages 254–274)
Guillaume Cassegrain, Mantegna the Grammarian (pages 276–292)
Jérémie Koering, Changing Forms: Mantegna’s Poietics in the Camera Picta (pages 294–312)
Stephen J. Campbell, Mantegna’s Camera Picta: Visuality and Pathos (pages 314–332)
Andreas Hauser, The Griffin’s Gaze and the Mask of Medusa: Self-Referential Motifs in Andrea Mantegna’s Trial of St James (pages 334–351)
Andrea Bolland, Artifice and Stability in Late Mantegna (pages 352–375)
Francis Fletcher, Mantegna’s Fictive Bronze Judith and Dido: Beyond Exemplarity (pages 376–399)
Source : http://onlinelibrary.wiley.com/doi/10.1111/ahis.2014.37.issue-2/issuetoc
OpenEdition vous propose de citer ce billet de la manière suivante :
Florian Metral (15 avril 2014). Parution : actualité des publications scientifiques (hiver 2013-2014 / printemps 2014). Collectif d'Historiens de l'Art de la Renaissance. Consulté le 5 novembre 2024 à l’adresse https://doi.org/10.58079/mnd7