Parution : Nikolaos Vryzidis (dir.), « The Hidden Life of Textiles in the Medieval and Early Modern Mediterranean », Turnhout, Brepols, 2020

The book contains published papers of the conference ‘Textiles & Identity in the Medieval and Early Modern Mediterranean: Paradigms of Contexts and Cross-Cultural Exchanges’ of the British School at Athens held at the (Benaki) Museum of Islamic Art in 2016, as well as some new contributions.

The focus in this wide-ranging collection of studies by key scholars in the field is on textiles and their functions in various Mediterranean contexts (and beyond) during medieval and post-medieval times (ca. 10th-19th c.). The scope of the contributions encompasses archaeological, anthropological and art historical perspectives on a great variety of subjects, such as textiles from the Byzantine Empire and the Medieval Islamic World (e.g. Spain, Mamluk Egypt, Seljuk Anatolia), as well as the production and use of textiles in Italy, the Ottoman Empire, Armenia and Ethiopia. The volume offers a state-of-the-art of an often still hardly known area of study of textiles as historical and cultural sources of information, which makes it essential reading for scholars and a larger audience alike.

The book includes contributions by Laura Rodríguez Peinado, Ana Cabrera-Lafuente, Avinoam Shalem, Scott Redford, Maria Sardi, Vera-Simone Schulz, Nikolaos Vryzidis, Marielle Martiniani-Reber, Elena Papastavrou, Jacopo Gnisci and Dickran Kouymjian.

Nikolaos Vryzidis received his PhD from SOAS, University of London, with a thesis on Greek clerical costume of the Ottoman period. He has already published on the subject in journals like Byzantine and Modern Greek Studies, Convivium, Iran, JOTSA and Orientalia Christiana Periodica. His research interests are centred on material culture of religion, cross-cultural encounters in the Medieval Mediterranean, and Byzantine-Islamic interchange.

 

Table of Contents

Laura Rodríguez Peinado (Complutense University of Madrid) & Ana Cabrera-Lafuente (Museo del Traje, Madrid), New approaches in Mediterranean textile studies: Andalusí textiles as case study

Avinoam Shalem (Columbia University), Metaphors we dress with: Medieval poetics about textiles

Scott Redford (SOAS, University of London), Flags of the Seljuk sultanate of Anatolia: Visual and textual evidence|

Maria Sardi (Independent scholar), Foreign influences in Mamluk textiles: The formation of a new aesthetic

Vera-Simone Schulz (Kunsthistorisches Institut in Florenz), Entangled identities: Textiles and the art and architecture of the Appenine peninsula in a trans-Mediterranean perspective

Nikolaos Vryzidis (Independent scholar), Animal motifs on Asian textiles used by the Greek Church: A case study of Christian acculturation. Appendix by Dimitris Loupis: Woven Islamic inscriptions

Marielle Martiniani-Reber (Musée d’art et d’histoire, Geneva), Quelques aspects des relations entre productions textiles byzantine et arabe au Xe-XIe siècles

Elena Papastavrou (Hellenic Ministry of Culture), Osmosis in Ottoman Constantinople: The iconography of Greek church embroidery

Jacopo Gnisci (Oxford University), Ecclesiastic dress in Medieval Ethiopia: Preliminary remarks on the visual evidence

Dickran Kouymjian (California State University, Fresno), Armenian altar curtains: Repository of tradition and artistic innovation

Nikolaos Vryzidis, Concluding remarks: Textiles as units of transmission

Source


Florence Larcher

Florence Larcher est doctorante en histoire de l'art moderne à l'Université Paris 1 Panthéon-Sorbonne. Ses recherches portent sur l'image de saint Roch dans les arts visuels en Europe du XIVe au XVIIe siècle.

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