Parution : Adam S. Cohen (dir.), et. al., « The Visualization of Knowledge in Medieval and Early Modern Europe », Turnhout, Brepols, 2020

All of us are exposed to graphic means of communication on a daily basis. Our life seems flooded with lists, tables, charts, diagrams, models, maps, and forms of notation. Although we now take such devices for granted, their role in the codification and transmission of knowledge evolved within historical contexts where they performed particular tasks. The medieval and early modern periods stand as a formative era during which visual structures, both mental and material, increasingly shaped and systematized knowledge. Yet these periods have been sidelined as theorists interested in the epistemic potential of visual strategies have privileged the modern natural sciences. This volume expands the field of research by focusing on the relationship between the arts of memory and modes of graphic mediation through the sixteenth century. Chapters encompass Christian (Greek as well as Latin) production, Jewish (Hebrew) traditions, and the transfer of Arabic learning. The linked essays anthologized here consider the generative power of schemata, cartographic representation, and even the layout of text: more than merely compiling information, visual arrangements formalize abstract concepts, provide grids through which to process data, set in motion analytic operations that give rise to new ideas, and create interpretive frameworks for understanding the world.

Table of Contents

Marcia Kupfer, Introduction

I. Visualization between Mind and Hand

Mary Carruthers, Geometries for Thinking Creatively

Lina Bolzoni, Visualization of a Universal Knowledge: Images and Rhetorical Machines in Giulio Camillo’s Theatre of Memory

Jeffrey F. Hamburger, Mindmapping: The Diagram Paradigm in Medieval Art – and Beyond

II. The Iconicity of Text

Beatrice Kitzinger, Framing the Gospels, c. 1000: Iconicity, Textuality, and Knowledge

Lesley Smith, Biblical Gloss and Commentary: the Scaffolding of Scripture

David Stern, The Topography of the Talmudic Page

Ayelet Even-Ezra, Seeing the Forest beyond the Trees: A Preliminary Overview of a Scholastic Habit of Visualization

Yuval Harari, Functional Paratexts and the Transmission of Knowledge in Medieval and Early Modern Jewish Manuscripts of Magic

A. Mark Smith, More than Meets the Eye: What Made the Printing Revolution Revolutionary

III. Graphic Vehicles of Scientia

Barbara Obrist, The Idea of a Spherical Universe and its Visualization in the Earlier Middle Ages (Seventh–Twelfth Centuries)

Marcia Kupfer, The Rhetoric of World Maps in Late Antiquity and the Middle Ages

Faith Wallis, Visualizing Knowledge in Medieval Calendar Science: a Twelfth-Century Family of ‘Graphic Glosses’ on Bede’s De temporum ratione

John Haines, The Visualization of Music in the Middle Ages: Three Case Studies

Peter Murray Jones, Visualization in Medicine between Script and Print, c. 1375–1550

IV. Diagrammatic Traditions

Linda Safran, A Prolegomenon to Byzantine Diagrams

Adam S. Cohen, Diagramming the Diagrammatic: Twelfth-Century Europe

Madeline H. Caviness, Templates for Knowledge: Geometric Ordering of the Built Environment, Monumental Decoration, Illuminated Page

Lucy Freeman Sandler, Religious Instruction and Devotional Study: The Pictorial and the Textual in Gothic Diagrams

J. H. Chajes, The Kabbalistic Tree

Source


Florence Larcher

Florence Larcher est doctorante en histoire de l'art moderne à l'Université Paris 1 Panthéon-Sorbonne. Ses recherches portent sur l'image de saint Roch dans les arts visuels en Europe du XIVe au XVIIe siècle.

Vous aimerez aussi...

Rechercher dans OpenEdition Search

Vous allez être redirigé vers OpenEdition Search