Parution : Alexis Culotta, Tracing the Visual Language of Raphael’s Circle to 1527, Leyde, Brill, 2020

In Tracing the Visual Language of Raphael’s Circle to 1527, Alexis Culotta examines how the Renaissance master’s style – one infused with borrowed visual quotations from other artists both past and present – proved influential in his relationship with associate Baldassare Peruzzi and in the development of the artists within his thriving workshop.

Shedding new light on the important, yet often-overshadowed, figures within this network, this book calls upon key case studies to convincingly illustrate how this visual language and its recombination evolved during Raphael’s Roman career and subsequently served as a springboard for artistic innovation for these close associates as they collaborated in the years following Raphael’s death.

 

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Citer ce billet
Fiammetta Campagnoli (2020, 13 septembre). Parution : Alexis Culotta, Tracing the Visual Language of Raphael’s Circle to 1527, Leyde, Brill, 2020. Collectif d'Historiens de l'Art de la Renaissance. Consulté le 16 juin 2024, à l’adresse https://doi.org/10.58079/mocz

Fiammetta Campagnoli

Fiammetta Campagnoli est doctorante en histoire de l'art moderne à l'Université Paris 1 Panthéon-Sorbonne. Ses recherches se concentrent sur la perception et sur la réception de la spatialité de l’image mariale au XVe et au XVIe siècle.

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