Conférence : Tom Henry, et al., « New Perspectives on Raphael », en ligne, 8 décembre 2020

Date
08 Dec 2020, 17:30 to 08 Dec 2020, 19:00

Venue
ONLINE
Description

Panel: Tom Henry (University of Kent), Claudia La Malfa (Loyola University, Chicago and University of Kent in Rome), Adam Lowe (Factum Arte), Arnold Nesselrath (Humboldt University, Berlin), Catherine Whistler (Ashmolean Museum, Oxford)

In the last few years, a plethora of international events, books, articles and exhibitions have focused on Raphael to shed new light on his processes of production, his operation of networks, his engagement with the environment, and much more. What are the most significant things we have learned from such intense looking at the work of this artist? Have Raphael studies also enlightened our understanding of his peers and their practices? Do we appreciate Raphael’s period in a new way? Please join us and our panel of distinguished Raphael specialists to explore the new perspectives on Raphael that arise from the long year marking his death and celebrating his life.

Raphael’s work in painting, drawing, architecture and design had a profound effect on the arts, influencing not only his own time but also ours. Raphael 500 celebrates the painter’s life and marks the year of his death with a programme that considers elements of his approaches to the invention and production of works of art and looks at the way the study of Raphael widens our understanding of other Italian Renaissance artists.

Supported by the Italian Cultural Institute in London.

FREE VIA ZOOM. PLEASE BOOK IN ADVANCE

Source


OpenEdition vous propose de citer ce billet de la manière suivante :
Florence Larcher (1 décembre 2020). Conférence : Tom Henry, et al., « New Perspectives on Raphael », en ligne, 8 décembre 2020. Collectif d'Historiens de l'Art de la Renaissance. Consulté le 9 septembre 2024 à l’adresse https://doi.org/10.58079/mofl


Florence Larcher

Florence Larcher est doctorante à l'Université Paris 1 Panthéon-Sorbonne. Ses recherches sur les images de saint Roch en Italie de 1350 à 1680 l'amènent à étudier la peinture murale, la sérialité et l'itinérance des peintres.

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