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Parution : Maryanne Cline Horowitz et Louise Arizzoli (dir.), Bodies and Maps, Leyde, Brill, 2020

Since antiquity, artists have visualized the known world through the female (sometimes male) body. In the age of exploration, America was added to figures of Europe, Asia, and Africa who would come to inhabit the borders of geographical visual imagery. In the abundance of personifications in print, painting, ceramics, tapestry, and sculpture, do portrayals vary between hierarchy and global human dignity? Are we witnessing the emergence of ethnography or of racism? Yet, as this volume shows, depictions of bodies as places betray the complexity of human claims and desires. Bodies and Maps: Early Modern Personifications of the Continents opens up questions about early modern politics, travel literature, sexualities, gender, processes of making, and the mobility of forms and motifs.

Contributors are: Louise Arizzoli, Elisa Daniele, Hilary Haakenson, Elizabeth Horodowich, Maryanne Cline Horowitz, Ann Rosalind Jones, Paul H. D. Kaplan, Marion Romberg, Mark Rosen, Benjamin Schmidt, Chet Van Duzer, Bronwen Wilson, and Michael Wintle.


OpenEdition vous propose de citer ce billet de la manière suivante :
Fiammetta Campagnoli (6 février 2021). Parution : Maryanne Cline Horowitz et Louise Arizzoli (dir.), Bodies and Maps, Leyde, Brill, 2020. Collectif d'Historiens de l'Art de la Renaissance. Consulté le 14 février 2025 à l’adresse https://doi.org/10.58079/mohh


Fiammetta Campagnoli

Fiammetta Campagnoli est docteure en histoire de l'art moderne à l'Université Paris 1 Panthéon-Sorbonne. Ses recherches se concentrent sur la perception et sur la réception de la spatialité de l’image mariale au XVe et au XVIe siècle.

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