Parution : Heather Graham et Lauren G. Kilroy-Ewbank (dir.), Emotions, Art, and Christianity in the Transatlantic World, 1450–1800, Leyde, Brill, 2021

Emotions, Art, and Christianity in the Transatlantic World, c. 1450–1800 is a collection of studies variously exploring the role of visual and material culture in shaping early modern emotional experiences. The volume’s transatlantic framework moves from The Netherlands, Spain, and Italy to Mexico, Peru, Ecuador, and the Philippines, and centers on visual culture as a means to explore how emotions differ in their local and global “contexts” amidst the many shifts occurring c. 1450–1800. These themes are examined through the lens of art informed by religious ideas, especially Catholicism, with each essay probing how religiously inflected art stimulated, molded, and encoded emotions.

 

Heather Graham, Ph.D. (2010 University of California, Los Angeles), is Assistant Professor of Art History at California State University, Long Beach, specializing in Italian Renaissance art. She is editor of Sensuous Suffering and Affective Pain in Early Modern Europe and the Spanish Americas(Brill, 2018).

Lauren Kilroy-Ewbank, Ph.D. (2009 University of California, Los Angeles), is Dean of Content and Strategy, Smarthistory, specializing in Ibero-American Art. She is author of Holy Organ or Unholy Idol? The Sacred Heart in the Art, Religion, and Politics of New Spain (Brill, 2018).

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Fiammetta Campagnoli (2021, 6 avril). Parution : Heather Graham et Lauren G. Kilroy-Ewbank (dir.), Emotions, Art, and Christianity in the Transatlantic World, 1450–1800, Leyde, Brill, 2021. Centre d'Histoire de l'Art de la Renaissance. Consulté le 1 mars 2024, à l’adresse https://doi.org/10.58079/moj9

Fiammetta Campagnoli

Fiammetta Campagnoli est doctorante en histoire de l'art moderne à l'Université Paris 1 Panthéon-Sorbonne. Ses recherches se concentrent sur la perception et sur la réception de la spatialité de l’image mariale au XVe et au XVIe siècle.

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