Parution : Stella Panayotova (dir.), « The Art & Science of Illuminated Manuscripts. A Handbook », Turnhout, Brepols, 2021

This book is designed to provide a guide for art historians, conservators and manuscript scholars to understand and support the increasingly popular cross-disciplinary research efforts focused on non-invasive scientific analyses of illuminated manuscripts.

The results achieved by the research of the pioneering MINIARE research project based at the Fitzwilliam Museum in Cambridge led to the ground-breaking and acclaimed 2016 exhibition “COLOUR: The Art and Science of Illuminated Manuscripts.” This was followed by an international Conference, in which art historians, paper and book conservators, and cultural heritage scientists were brought together to share new recent research not only on manuscripts but also on painting in other media. The Conference proceedings were published in the first two volumes of the HMMIMA series (2017-2018). The present publication includes 6 Essays by way of introducing and explaining the major topics being investigated, including the range of inks, pigments and paint binders used by illuminators; parchment-making; pigment recipes; and model books. The many analytical instruments and techniques that are used to investigate manuscripts are also discussed. Then follow 58 Case Studies of manuscripts from as early as the year 700 up to c.1600. All these are fully illustrated in colour and in great detail, and should act as examples to inform scholars in libraries, museums and other cultural institutions of the benefits of adding scientific tools to the range of methods used to investigate manuscripts.

Table of Contents

Preface and Acknowledgements
Analytical teams

Essay 1
Introduction: The Integrated Analyses of Illuminated Manuscripts
Stella Panayotova

Essay 2
Pigment Recipes and Model Books
Mechanisms for Knowledge Transmission and the Training of Manuscript Illuminators
Nancy K. Turner and Doris Oltrogge

Essay 3
Science of the Book
Analytical Methods for the Study of Illuminated Manuscripts
Paola Ricciardi and Catherine Schmidt Patterson

Essay 4
From Pelt to Painted Page
Western Medieval Manuscript Parchments
Edward Cheese

Essay 5
Painting Materials and Techniques in Byzantine and Slavonic Illuminated Manuscripts, c.800
Elina Dobrynina

Essay 6
Painting Materials and Techniques in Western Illuminated Manuscripts c.600
Stella Panayotova

Case Studies

58 highly detailed case studies of manuscripts from as early as the year 700 up to c.1600.
All these are fully illustrated in colour and provide stimulating examples to guide conservation departments in collections, museums and other laboratories in applying scientific investigation into works of art.

Florence Larcher

Florence Larcher est doctorante en histoire de l'art moderne à l'Université Paris 1 Panthéon-Sorbonne. Ses recherches portent sur l'image de saint Roch dans les arts visuels en Europe du XIVe au XVIIe siècle.

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