Parution : Piers Baker-Bates, Irene Brooke (dir.), « Portrait Cultures of the Early Modern Cardinal », Amsterdam, Amsterdam University Press, 2021

The visual legacy of early modern cardinals constitutes a vast and extremely rich body of artworks, many of superb quality, in a variety of media, often by well-known artists and skilled craftsmen. Yet cardinal portraits have primarily been analysed within biographical studies of the represented individual, in relation to the artists who created them, or within the broader genre of portraiture. No more profound investigation of these as a specific category of object has ever been attempted. This volume addresses questions surrounding the production, collection, and status of the cardinal portrait, covering diverse geographies and varied media. Examining the development of cardinals’ imagery in terms of their multi-layered identities, this volume considers portraits of ‘princes of the Church’ as a specific cultural phenomenon reflecting cardinals’ unique social and political position.

Piers Baker-Bates is a Visiting Research Associate at the Open University. He has published extensively on Sebastiano del Piombo and the cultural relations between Italy and Spain in the sixteenth century, including his monographic study Sebastiano del Piombo and the World of Spanish Rome.

IIrene Brooke is an Associate Lecturer at the Courtauld Institute and Editor of the Colnaghi Studies Journal. She has published articles on Cardinal Pietro Bembo’s patronage and collecting strategies, as well as on the work and career of the engraver, Giulio Campagnola.

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Florence Larcher (2021, 16 juillet). Parution : Piers Baker-Bates, Irene Brooke (dir.), « Portrait Cultures of the Early Modern Cardinal », Amsterdam, Amsterdam University Press, 2021. Collectif d'Historiens de l'Art de la Renaissance. Consulté le 14 juin 2024, à l’adresse https://doi.org/10.58079/momj

Florence Larcher

Florence Larcher est doctorante à l'Université Paris 1 Panthéon-Sorbonne. Ses recherches sur les images de saint Roch en Italie de 1350 à 1680 l'amènent à étudier la peinture murale, la sérialité et l'itinérance des peintres.

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