Parution : David García Cueto, Eduardo Lamas (dir.), « Copies of Flemish Masters in the Hispanic World (1500-1700). Flandes by Substitution », Turnhout, Brepols, 2021
Table of Contents
Introduction — Eduardo Lamas and David García Cueto
Castilian Legacy and Juan de Flandes’s Miraflores Copy — Jessica Weiss
Imitation, Inspiration or Innovation? Juan de Flandes and the Use of Models from Illuminated Manuscripts — Nicola Jennings
Spanish Fortunes of a Flemish ‘Ecce Homo’: On the Bouts Family’s Originals, Workshop Replicas, Flemish Copies, and Hispanic Imitations — Miquel Àngel Herrero-Cortell & Isidro Puig Sanchis
Jan Gossaert’s Deesis: Copying Van Eyck’s Ghent Altarpiece — José Juan Pérez Preciado
Michiel Coxcie’s Copies for the Spanish Court: A Technical Comparison between the Copy of the Van Eycks’ Ghent Altarpiece and the Copy of Rogier van der Weyden’s Descent from the Cross — Laura Alba, Lorne Campbell, Hélène Dubois and José Juan Pérez-Preciado
Mastering Divine Faces: Titian’s Sacred Images of Christ and the Virgin for Charles V — Astrid Harth
Las copias de los retratos de Antonio Moro durante su segunda estancia en España (1559–1561) — Almudena Pérez de Tudela
Les copies de Marcellus Coffermans pour le marché espagnol — Marie Grappasonni
Copies Emulating Federico Zuccari’s Model for the Annunziata Church in Rome (1570–1600) — Macarena Moralejo Ortega
‘It copies the Crucifixion from Alsemberg’: On the Influence of Coxcie on the Calvary of Hendrick de Clerck for the Church of Saint-Josse-ten-Noode in Brussels — Ana Diéguez-Rodríguez
Rubens, Martínez del Mazo and the Decoration of the Prince’s Apartments in the Alcázar of Madrid — Ángel Rodríguez Rebollo
The Reflection of ‘Flandes’ in the Spanish Royal Collections: Copies after Rubens in the Patrimonio Nacional — David García Cueto
‘It is a copy after Rubens or Van Dyck’: Copying Flemish Paintings in Granada — Manuel García Luque
The Copies by Miguel Manrique and Western Mediterranean Commercial Networks — Eduardo Lamas
Bibliography
OpenEdition vous propose de citer ce billet de la manière suivante :
Florence Larcher (30 septembre 2021). Parution : David García Cueto, Eduardo Lamas (dir.), « Copies of Flemish Masters in the Hispanic World (1500-1700). Flandes by Substitution », Turnhout, Brepols, 2021. Collectif d'Historiens de l'Art de la Renaissance. Consulté le 12 mai 2025 à l’adresse https://doi.org/10.58079/monw