Parution : Virginia Cox, Shannon McHugh, « Vittoria Colonna. Poetry, Religion, Art, Impact », Amsterdam, Amsterdam University Press, 2021

This edited collection presents fresh and original work on Vittoria Colonna, perhaps the outstanding female figure of the Italian Renaissance, a leading Petrarchist poet, and an important figure in the Italian Reform movement. Until recently best known for her close spiritual friendship with Michelangelo, she is increasingly recognized as a powerful and distinctive poetic voice, a cultural and religious icon, and an important literary model for both men and women. This volume comprises compelling new research by established and emerging scholars in the fields of literature, book history, religious history, and art history, including several studies of Colonna’s influence during the Counter-Reformation, a period long neglected by Italian cultural historiography. The Colonna who emerges from this new reading is one who challenges traditional constructions of women’s place in Italian literature; no mere imitator or follower, but an innovator and founder of schools in her own right.

Virginia Cox is Professor of Italian Studies at New York University. Her books include Women’s Writing in Italy, 1400-1650 (2008), The Prodigious Muse: Women’s Writing in Counter-Reformation Italy (2011), Lyric Poetry by Women of the Italian Renaissance (2013) and A Short History of the Italian Renaissance (2015).

Shannon McHugh is Assistant Professor of Italian and French at the University of Massachusetts Boston. She is coeditor of Innovation in the Italian Counter-Reformation (2020) and cotranslator of Diodata Malvasia, Writings on the Sisters of San Luca and Their Miraculous Madonna (2015). Her book project is titled Petrarch’s Metamorphosis.

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Citer ce billet
Florence Larcher (2021, 20 septembre). Parution : Virginia Cox, Shannon McHugh, « Vittoria Colonna. Poetry, Religion, Art, Impact », Amsterdam, Amsterdam University Press, 2021. Centre d'Histoire de l'Art de la Renaissance. Consulté le 2 mars 2024, à l’adresse https://doi.org/10.58079/mono

Florence Larcher

Florence Larcher est doctorante à l'Université Paris 1 Panthéon-Sorbonne. Ses recherches sur les images de saint Roch en Italie de 1350 à 1680 l'amènent à étudier la peinture murale, la sérialité et l'itinérance des peintres.

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