Exposition : Paolo Veneziano. Art & Devotion in 14th-Century Venice, Los Angeles, Getty Center, jusqu’au 3 octobre 2021

Paolo Veneziano led the premier painter’s workshop in late medieval Venice, producing work ranging from large complex altarpieces to small paintings intended for personal devotion. This focused exhibition reunites panels that originally formed a larger ensemble but are today scattered across different collections. This reconstruction, together with his other paintings, is set against the backdrop of the city’s uniquely cosmopolitan visual culture.

The foremost Venetian painter of the fourteenth century, Paolo Veneziano (act. 1333-58) is regarded as the founder of the Venetian school of painting. In reuniting for the first time the dispersed components of two of his rare surviving altarpieces and presenting them alongside contemporaneous objects, this book and the exhibition it accompanies at the J. Paul Getty Museum will demonstrate how his innovative and visually rich work engaged with fourteenth-century advances in manuscript illumination, ivory carving, textile production, and metalwork. Veneziano practiced his art within a culture enriched by Venice’s maritime economy, with materials and techniques coming to his native city from Byzantium, Africa, Persia, and Asia. His workshop received prestigious commissions in Venice and beyond, many of them for elaborate altarpieces composed of painted panels within intricately carved gilt-wood frames. This book is published by The Frick Collection in association with Paul Holberton Publishing.


Fiammetta Campagnoli

Fiammetta Campagnoli est doctorante en histoire de l'art moderne à l'Université Paris 1 Panthéon-Sorbonne. Ses recherches se concentrent sur la perception et sur la réception de la spatialité de l’image mariale au XVe et au XVIe siècle.

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