Parution : DiFuria A. (dir.), Space, Image, and Reform in Early Modern Art : The Influence of Marcia Hall, Berlin, De Gruyter, 2021

The essays in Space, Image, and Reform in Early Modern Art build on Marcia Hall’s seminal contributions in several categories crucial for Renaissance studies, especially the spatiality of the church interior, the altarpiece’s facture and affectivity, the notion of artistic style, and the controversy over images in the era of Counter Reform. Accruing the advantage of critical engagement with a single paradigm, this volume better assesses its applicability and range. The book works cumulatively to provide blocks of theoretical and empirical research on issues spanning the function and role of images in their contexts over two centuries. Relating Hall’s investigations of Renaissance art to new fields, Space, Image, and Reform expands the ideas at the center of her work further back in time, further afield, and deeper into familiar topics, thus achieving a cohesion not usually seen in edited volumes honoring a single scholar.

 

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OpenEdition vous propose de citer ce billet de la manière suivante :
Fiammetta Campagnoli (7 novembre 2021). Parution : DiFuria A. (dir.), Space, Image, and Reform in Early Modern Art : The Influence of Marcia Hall, Berlin, De Gruyter, 2021. Collectif d'Historiens de l'Art de la Renaissance. Consulté le 17 juillet 2024 à l’adresse https://doi.org/10.58079/mop2


Fiammetta Campagnoli

Fiammetta Campagnoli est doctorante en histoire de l'art moderne à l'Université Paris 1 Panthéon-Sorbonne. Ses recherches se concentrent sur la perception et sur la réception de la spatialité de l’image mariale au XVe et au XVIe siècle.

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