Appel à contribution: « Artemisia Gentileschi. Interpreting New Evidence, Assessing New Attributions », Florence, 7 mai 2015, date limite 15 août 2014

gentileschi-autoportrait-en-allegorie-de-la-peinture-1638-39

Announcing the 3rd Annual Jane Fortune Conference, organized by the Medici Archive Project and hosted by the British Institute in Florence:

Artemisia Gentileschi

Interpreting New Evidence, Assessing New Attributions

May 7, 2015, Florence, Italy

Keynote Speaker: Mary Garrard, Professor Emerita, American University, Washington, DC

In recent years, there has been an outpouring of new archival evidence about the life and artistic practices of Artemisia Gentileschi, as well as new proposed additions to her oeuvre. To provide a forum for the presentation and consideration of new work on the artist, this conference will be held in Florence, Italy, a major site of recent conservation and archival research on Artemisia. We invite papers that offer new documentary information, advance interpretations of recent archival findings, present new readings of particular paintings, or address issues or problems raised by recent attributions. Such issues might include connoisseurship methods and questions, material analysis, relationships between new and known works, dating, patronage, provenance, function, and the changing shape of the artist’s oeuvre.

To be considered for participation, please provide a single document in Microsoft Word, consisting of a 1-page proposal for a 20-minute presentation of unpublished work, followed by a short curriculum vitae. Applications may be sent to Sheila Barker: barker[at]medici[dot]org. The deadline for submission is August 15, 2014.

Invitations to participate will be sent by August 31, 2014. Partial funding for approved travel expenses is anticipated.

 

For more information, email your inquiry to barker[at]medici[dot]org

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Citer ce billet
Marie Piccoli-Wentzo (2014, 12 août). Appel à contribution: « Artemisia Gentileschi. Interpreting New Evidence, Assessing New Attributions », Florence, 7 mai 2015, date limite 15 août 2014. Centre d'Histoire de l'Art de la Renaissance. Consulté le 5 mars 2024, à l’adresse https://doi.org/10.58079/mnef

Marie Piccoli-Wentzo

Marie Piccoli-Wentzo est docteure en Histoire de l'Art moderne. Elle a soutenu sa thèse sur l'image du désert dans l'Italie du XVe siècle à l'Université Paris 1 Panthéon-Sorbonne. Ses recherches actuelles portent sur l'expérience esthétique du public de la fin de l'époque médiévale et de la Renaissance devant une œuvre.

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