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Parution : Abigail D. Newman, “Painting Flanders Abroad : Flemish Art and Artists in Seventeenth-Century Madrid”, Brill, Leyde, 2022

Browse In History, Migration History | Brill

 

In Painting Flanders Abroad: Flemish Art and Artists in Seventeenth-Century Madrid, Flemish immigrants and imported Flemish paintings cross the paths of Spanish kings, collectors, dealers, and artists in the Spanish court city, transforming the development and nature of seventeenth-century Spanish painting. Examining these Flemish transplants and the traces their interactions left in archival documents, collection inventories, art treatises, and most saliently Spanish “Golden Age” paintings, this book portrays Spanish society grappling with a long tradition of importing its favorite paintings while struggling to reimagine its own visual idiom. In the process, the book historicizes questions of style, quality, immigration, mobility, identity, and cultural exchange to define what the evolving and amorphous visual concept of “Flemishness” meant to Spanish viewers in an era long before the emergence of nationalism.

Publication Date:15 Jun 2022

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OpenEdition vous propose de citer ce billet de la manière suivante :
mariecollet (17 juin 2022). Parution : Abigail D. Newman, “Painting Flanders Abroad : Flemish Art and Artists in Seventeenth-Century Madrid”, Brill, Leyde, 2022. Collectif d'Historiens de l'Art de la Renaissance. Consulté le 11 février 2025 à l’adresse https://doi.org/10.58079/mowy


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