Parution : Gail Elizabeth Solberg, « Taddeo di Bartolo. Siena’s Painter in the Early Quattrocento », Turnhout, Brepols, 2022

Taddeo di Bartolo, Siena’s premier painter in the years around 1400, is the focus of a cultural history of a great Italian school in an understudied period. His patrons commissioned important fresco cycles and the most impressive polyptychs of the age. In part a travelogue, the text follows Taddeo (ca 1362-1422) from training in straitened times at Siena across central and northern Italy. Ten years of itinerancy drew him to various Tuscan centers, along the Ligurian coast from Genoa to Provence, probably to Padua, and into Umbria.  About 1399 he resettled at Siena to rapidly become the preferred painter of his commune. His mural cycles made a greater imprint on Siena’s civic iconography than has been acknowledged while his efficient Sienese shop produced outstanding panel paintings for, among others, the most dynamic religious orders. Until his last years he received grand commissions in and from beyond Siena. He drew a pope’s portrait and was employed by a cardinal at Rome. Attention to his production methods shows how his busy shop ensured variety in numerous paintings for mid-level clients by a flexible design system. Taddeo’s works, including rediscovered and reconstructed paintings, come alive in beautiful illustrations. This chronicle of an indefatigable and successful late medieval career positions the painter, his colleagues, and his patrons in their political, economic, and social circumstances. It provides new insights on Siena’s artistic culture at the start of the Renaissance.

TABLE OF CONTENTS

Part I. Emergence

Chapter 1. Esordio: Taddeo’s Early Life and Late Trecento Painting at Siena

Chapter 2. Juvenalia:  Collegalli, San Gimignano, and San Miniato

Part II. Travel! The Decade of the 1390s

Chapter 3. To 1393: Florence, Lucca, Pisa, and Padua

Chapter 4. Genoa and Liguria.

Chapter 5. Pisa Again

Chapter 6. Genoa and Liguria Again

Part III. Dipentore Nostro: Siena

Chapter 7. The Cathedral

Chapter 8. The Palazzo Pubblico Chapel

Chapter 9. The Palazzo Pubblico ‘Antechapel’

Chapter 10. The Last Civic Commissions and Taddeo di Bartolo‘s Contemporaries

Part IV. Acclamation with Panel Paintings:  Altarpieces after 1400

Chapter 11. The Assumption Triptych for the Aragazzi at Montepulciano

Chapter 12. The Double-sided Heptaptych for the Franciscans at Perugia

Chapter 13. The Heptaptych for the Dominicans at Gubbio

Chapter 14. Other Panel Paintings from 1400 to c.1410

Part V. Completion: The Last Years

Source



Citer ce billet
celialocufier (2022, 5 septembre). Parution : Gail Elizabeth Solberg, « Taddeo di Bartolo. Siena’s Painter in the Early Quattrocento », Turnhout, Brepols, 2022. Centre d'Histoire de l'Art de la Renaissance. Consulté le 1 mars 2024, à l’adresse https://doi.org/10.58079/moz7

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