Parution : Jessica Barker, « Stone Fidelity. Marriage and Emotion in Medieval Tomb Sculpture », Suffolk, Boydell & Brewer, 2022

Medieval tombs often depict husband and wife lying side-by-side, and hand in hand, immortalised in elegantly carved stone: what Philip Larkin’s poem An Arundel Tomb later described as their “stone fidelity”.

This first full account of the “double tomb” places its rich tradition into dialogue with powerful discourses of gender, marriage, politics and emotion during the Middle Ages. As well as offering new interpretations of some of the most famous medieval tombs, such as those found in Westminster Abbey and Canterbury Cathedral, it draws attention to a host of lesser-known memorials from throughout Europe, providing an innovative vantage point from which to reconsider the material culture of medieval marriage. Setting these twin effigies alongside wedding rings and dresses as the agents of matrimonial ritual and embodied symbolism, the author presents the “double tomb” as far more than mere romantic sentiment. Rather, it reveals the careful artifice beneath their seductive emotional surfaces: the artistic, religious, political and legal agendas underlying the medieval rhetoric of married love.

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Florence Larcher (2022, 28 juillet). Parution : Jessica Barker, « Stone Fidelity. Marriage and Emotion in Medieval Tomb Sculpture », Suffolk, Boydell & Brewer, 2022. Centre d'Histoire de l'Art de la Renaissance. Consulté le 15 avril 2024, à l’adresse https://doi.org/10.58079/moxy

Florence Larcher

Florence Larcher est doctorante à l'Université Paris 1 Panthéon-Sorbonne. Ses recherches sur les images de saint Roch en Italie de 1350 à 1680 l'amènent à étudier la peinture murale, la sérialité et l'itinérance des peintres.

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