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Exposition : “Traces: Renaissance Drawings for Flemish Prints”, Londres, The Courtauld, jusqu’au 25 septembre 2022

Showcasing a selection from The Courtauld’s rich collection of works on paper, this display will explore the world of 16th century Flemish print production. It features print designs by some of the greatest Netherlandish artists of the era, including Pieter Bruegel the Elder (ca. 1525–1569) and Maerten van Heemskerck (1498–1574).

This display offers a rare opportunity to see this lesser-known aspect of The Courtauld’s collection, and to delve deeper into the traces left by artists and craftsmen who created the designs for the flourishing print trade in 16th-century Antwerp, a pre-eminent international hub for the graphic arts.

Highly skilled draughtsmen produced finished designs which expert printmakers translated onto copper printing plates. In turn, these were published in great numbers by venturesome publishers who saw the economic potential in the dissemination of relatively inexpensive prints. In this way ingenious artistic ideas and elaborate motifs could travel and influence the development of art across Europe – and beyond.

Source


OpenEdition vous propose de citer ce billet de la manière suivante :
Fiammetta Campagnoli (29 août 2022). Exposition : “Traces: Renaissance Drawings for Flemish Prints”, Londres, The Courtauld, jusqu’au 25 septembre 2022. Collectif d'Historiens de l'Art de la Renaissance. Consulté le 2 décembre 2024 à l’adresse https://doi.org/10.58079/moyx


Fiammetta Campagnoli

Fiammetta Campagnoli est doctorante en histoire de l'art moderne à l'Université Paris 1 Panthéon-Sorbonne. Ses recherches se concentrent sur la perception et sur la réception de la spatialité de l’image mariale au XVe et au XVIe siècle.

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