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Exposition : “Cranach the Untamed, The Early Years in Vienna”, Vienne, Kunsthistorisches Museum, jusqu’au 16 octobre

Cranach the Untamed, The Early Years in ViennaThis exhibition, conceived in collaboration with the Oskar Reinhart Collection “Am Römerholz” in Winterthur (Switzerland), is the first to explore the artistic beginnings of Lucas Cranach the Elder (1472-1553). Cranach, a native of Franconia, produced his earliest extant works in Vienna, presumably arriving in the city around 1500. These works are celebrated for their remarkable expressive power – radically different from the courtly-elegant manner he was to adopt soon afterwards when he became court painter to the Elector of Saxony. Unlike the countless panels produced in his large workshop at Wittenberg, only a handful of paintings have survived from his sojourn in Vienna. Key works from this period are now in Winterthur and in the Kunsthistorisches Museum Vienna. Together with important loans from other collections, they form the core of the exhibition, offering a comprehensive survey of the early oeuvre of this outstanding artist.

The exhibition will be on show in Winterthur from March 12 to June 12, 2022, where the focus will be on portraiture, before moving to Vienna. For the first time ever, the celebrated portraits of the humanist Johannes Cuspinian and his wife Anna will leave the collection in Winterthur to return to the place where they were painted.

 

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OpenEdition vous propose de citer ce billet de la manière suivante :
Fiammetta Campagnoli (10 septembre 2022). Exposition : “Cranach the Untamed, The Early Years in Vienna”, Vienne, Kunsthistorisches Museum, jusqu’au 16 octobre. Collectif d'Historiens de l'Art de la Renaissance. Consulté le 11 octobre 2024 à l’adresse https://doi.org/10.58079/mozc


Fiammetta Campagnoli

Fiammetta Campagnoli est doctorante en histoire de l'art moderne à l'Université Paris 1 Panthéon-Sorbonne. Ses recherches se concentrent sur la perception et sur la réception de la spatialité de l’image mariale au XVe et au XVIe siècle.

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