Parution : Tack Laura, “The Knife, Temporal Ruptures in Revelation and Transformation”, Louvain, Peeters Publishers, 2022

The Greek sculptor Lysippos of Sicyon (fourth century BCE) represented Kairos carrying a razor in his left hand. According to the epigram dedicated to this statue by Posidippus of Pella (mid-third-century BCE), the Greek divinity of the opportune moment is said to move with a swiftness that is sharper than any razor’s edge. Why does Kairos carry a razor in his hand? And how does the knife relate to opportunity and temporality?
This book embarks on a narrative detour to answer these questions. Stories of revelation and transformation are anatomised to discover the moments of the knife pulsating underneath the surface. The sword grasped at the right moment by the Biblical heroine Judith, Abraham’s sacrificial knife, the eucharistic knife from the Castello Sforzesco in Milan, Psyche’s razor, the surgeon’s scalpel, or the apocalyptic double-edged sword each figure as multifaceted imaginations of these kairotic moments.
Under the skin of this book lives the question raised by Gotthold Ephraim Lessing (1729-1781) in his Laokoon oder über die Grenzen der Mahlerey und Poesie (1766). Who is best suited to capture the right moment, the painter, or the poet?
At the heart of it all is the disruption of time itself. The moment of the knife is the time of the wound in time. Sudden, sharp, and unexpected this moment pierces deep into the human experience, stirring the soul with a swiftness beyond imagination.

Source



Citer ce billet
Fiammetta Campagnoli (2022, 21 octobre). Parution : Tack Laura, “The Knife, Temporal Ruptures in Revelation and Transformation”, Louvain, Peeters Publishers, 2022. Collectif d'Historiens de l'Art de la Renaissance. Consulté le 16 juin 2024, à l’adresse https://doi.org/10.58079/mp0s

Fiammetta Campagnoli

Fiammetta Campagnoli est doctorante en histoire de l'art moderne à l'Université Paris 1 Panthéon-Sorbonne. Ses recherches se concentrent sur la perception et sur la réception de la spatialité de l’image mariale au XVe et au XVIe siècle.

Vous aimerez aussi...

Rechercher dans OpenEdition Search

Vous allez être redirigé vers OpenEdition Search