Conférence : Alexander Marr, « Holbein’s Wit », Londres, Paul Mellon Centre, 16 novembre 2022

16 November 2022, 6:00 – 8:00 pm
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This talk will address the tactical ambiguity of Hans Holbein the Younger (1497/8–1543)’s art as a form of wit. In a number of important pictures, including The Ambassadors, Portrait of Georg Gisze and Lady with a Squirrel and a Starling, Holbein deployed verbal-cum-visual puns to draw attention to his sitters’ and his own ingenuity (ingenium). The productive ambiguity of his pictures will be set within the context of learned wit and serio ludere, particularly Erasmian wordplay and certain topoi of mimesis. This will afford an opportunity to reassess Holbein’s treatment of the relationship between skill, character and identity.

Alexander Marr is Professor of Renaissance and Early Modern Art at the University of Cambridge and a Fellow of Trinity Hall, where he is Dean of Discipline. He specialises in European art and architecture ca. 1400–ca. 1800, especially their intellectual, literary and scientific aspects. His awards include a Philip Leverhulme Prize (2008), a European Research Council Consolidator Grant (2013) and a Paul Mellon Centre Senior Fellowship. His books include: Rubens’s Spirit: From Ingenuity to Genius (2021); Logodaedalus: Word Histories of Ingenuity in Early Modern Europe (2018); Between Raphael and Galileo: Mutio Oddi and the Mathematical Culture of Late Renaissance Italy (2011); Curiosity and Wonder from the Renaissance to the Enlightenment (2006). He is currently writing a monograph on Hans Holbein the Younger and ingenuity (Holbein’s Wit) and editing Richard Haydocke’s translation of Lomazzo’s Trattato for the Modern Humanities Research Association (MHRA).

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Florence Larcher (2022, 10 novembre). Conférence : Alexander Marr, « Holbein’s Wit », Londres, Paul Mellon Centre, 16 novembre 2022. Centre d'Histoire de l'Art de la Renaissance. Consulté le 1 mars 2024, à l’adresse https://doi.org/10.58079/mp1f

Florence Larcher

Florence Larcher est doctorante à l'Université Paris 1 Panthéon-Sorbonne. Ses recherches sur les images de saint Roch en Italie de 1350 à 1680 l'amènent à étudier la peinture murale, la sérialité et l'itinérance des peintres.

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