Conférence : « The Language of Ambiguity in Early Modern Art », Université de Cambridge, 12 octobre 2022

“The Language of Ambiguity in Early Modern Art”, 12th October 2022, Trinity Hall, University of Cambridge.
Those wishing to register should email Anneke de Bont, ad961@cam.ac.uk

09:30-10:00: Introduction
(Alexander Marr, University of Cambridge)

10:00-11:00: Session I
Kathryn Murphy (University of Oxford): Quaint
Raphael Garrod (University of Oxford): Daedal

11:00-11:30: Coffee

11:30-13:00: Session II
James Clifton (Museum of Fine Arts, Houston): Confusione
Lorenzo Pericolo (Florida State University): Obscurity
Alexander Marr (University of Cambridge): Macchia

13:00-14:00: Lunch

14:00-15:30: Session III
Fabian Jonietz (Zentralinstitut für Kunstgeschichte): Allegory
Shira Brisman (University of Pennsylvania): Specie
Karin Leonhard (Konstanz University): Conversion

15:30-16:00: Coffee

16:00: Keynote Lecture
Anthony Ossa-Richardson (UCL): “Was Early Modern Art Ambiguous”?

This colloquium is part of the project Ambiguity and Precision in Early Modern Art, directed by Alexander Marr (Cambridge), Elisabeth Oy-Marra (Mainz) and Karin Leonhard (Konstanz), funded by the DAAD-Cambridge Hub for German Studies.

Source



Citer ce billet
celialocufier (2022, 2 octobre). Conférence : « The Language of Ambiguity in Early Modern Art », Université de Cambridge, 12 octobre 2022. Centre d'Histoire de l'Art de la Renaissance. Consulté le 19 mai 2024, à l’adresse https://doi.org/10.58079/mp02

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