Colloque : « Italian Art in the Iberian World: Circulation and Appropriation in the Modern Era », Florence, Palazzo Grifoni Budini Gattai, 2-3 novembre 2022

Despite being set in a profoundly Eurocentric centre-periphery framework, Fernand Braudel’s Le modèle italien had the merit of challenging positivist paradigms, bringing into play the importance of a comparative analysis of historical facts over long periods. The book also expressed a desire for a new way of considering temporality, in its own way. The potential of the work of art is not defined by the moment in which it was created. Its reception and transformation creates a timeframe that is different from and as legitimate as the original’s. Exchanges are not unidirectional. Therefore, studying mediation, the agents and the means through which images, knowledge and models were transferred is a fundamental aspect in the study of artistic circulation.
This conference aims to revisit Le modèle italien, discussing the creation, diffusion and reception of Italian art in the global world created by the Iberian countries in the modern age (1450-1750), and the consequences of such events. It does not want to establish cultural hierarchies that imply the influence of an “Italian model” that expands throughout Europe and from here to the New World and Asia, but rather to study in an intercultural and transcultural horizon the processes of creating images with new connotations and with their own generative and non-derivative canon. The processes of appropriation and transformation create an artistic geography of identities in which originality can be studied through the processes of assimilation of images shared between Europe, Asia and America.

 

PROGRAM

2 November, 2022
10:00
Gerhard Wolf (Kunsthistorisches Institut in Florenz – Max-Planck-Institut), Benito Navarrete Prieto (Universidad de Alcalà), Benvenuto e introduzione

10:20  Miguel Falomir (Museo Nacional del Prado), Valencia. L’arte in una metropoli mediterranea nel XV secolo

Idee, conoscenze e trattati / Ideas, Knowledge and Treatises
Chair: Dario Donetti (Università degli Studi di Verona)
10:50  Fernando Marías (Real Academia de la Historia), Italia-Spagna nel Rinascimento: modello, ricezione attiva, reazione, rifiuto
11:30  Pausa / Break
11:50  Thomas Cummins (Harvard University), ‘Because Vitruvius did not Recommend Square Columns’: The Near and Distant Echoes of Alberti, Serlio, Vignola, Vitruvius and others in New Spain and Peru
12:20  Laura González-Fernández (University of Lincoln), Whose Classical Tradition? The Language(s) of Architecture in Early Modern Goa
12:50  Pausa pranzo / Lunch Break

Devozioni e immagini religiose / Devotions and Religious Images
Chair: Stefania Pastore (Scuola Normale Superiore)
15:00  Escardiel González-Estévez (Universidad de Sevilla), L’“Apocalipsis de San Amadeo”: visioni del Cinquecento nell´America Vicereale
15:30  Elena Escuredo (Universidad de Sevilla / CY Cergy Université, París), Accoglienza e traduzione di Vasari pittore: l’Allegoria dell’Immacolata Concezione fuori d’Italia
16:00  Pausa / Break
16:20  Corinna T. Gallori (Kunsthistorisches Institut in Florenz – Max-Planck-Institut), Creazione e rielaborazione delle immagini a Roma

3 November 2022

Manipolazione, trasformazione e distruzione delle immagini / Manipulation, Transformation and Destruction of Images
Chair: Edoardo Rossetti (Harvard – Villa I Tatti)
10:00  Luisa Elena Alcalá (Universidad Autónoma de Madrid), Jesuit Circulation of Italian Religious Art: Presence, Absence and Assimilation in the Viceroyalty of New Spain
10:30  Adam Jasienski (Southern Methodist University), “Broken Pieces” as “Precious Jewels”: The Efficacy of Damaged Images in Spain’s Early Modern Global Monarchy
11:00  Pausa / Break
11:20  Roberto Alonso Moral (Universidad Complutense), La scultura napoletana nel mondo ispanico: tra identità e trasformazione
11:50  José Riello (Universidad Autónoma de Madrid), Da Roma a Siviglia, poi a Lima e ritorno a Siviglia: un modello italiano e due Crocifissioni di Juan Martínez Montañes
12:20  Pausa pranzo / Lunch Break

Artisti italiani nel mondo iberico / Italian Artists in the Iberian World
Chair: Anna Bisceglia (Gallerie degli Uffizi)
14:00  Marzia Faietti (Kunsthistorisches Institut in Florenz – Max-Planck-Institut), Marcantonio globale
14:30  Manuel Arias Martínez (Museo Nacional del Prado), Da Donatello a Tiziano. Appunti sul replicare e rileggere immagini nella scultura spagnola del XVI secolo
15:00  Pausa / Break
15:20  Tommaso Mozzati (Università degli Studi di Perugia), La strada fra Murcia e Vélez Blanco: un crocevia meridionale per il dialogo italo-spagnolo di primo Cinquecento
15:50  Fernando Loffredo (State University of New York at Stony Brook), The Question of Spanishness and the Myth of the Italian Journey in 16th-Century Iberian Sculptors

16:20
Gerhard Wolf (Kunsthistorisches Institut in Florenz – Max-Planck-Institut), Considerazioni conclusive

Concept and Organization: Benito Navarrete Prieto (Universidad de Alcalà), Corinna T. Gallori (Kunsthistorisches Institut in Florenz – Max-Planck-Institut), Gerhard Wolf (Kunsthistorisches Institut in Florenz – Max-Planck-Institut)

Kunsthistorisches Institut in Florenz – Max-Planck-Institut
Palazzo Grifoni Budini Gattai
Via dei Servi 51
50122 Firenze
Italia

To attend the conference online via Zoom, https://t1p.de/yuuje

Contact: info@khi.fi.it

Source



Citer ce billet
Juliette Brack (2022, 19 octobre). Colloque : « Italian Art in the Iberian World: Circulation and Appropriation in the Modern Era », Florence, Palazzo Grifoni Budini Gattai, 2-3 novembre 2022. Centre d'Histoire de l'Art de la Renaissance. Consulté le 5 mars 2024, à l’adresse https://doi.org/10.58079/mp0q

Vous aimerez aussi...

Rechercher dans OpenEdition Search

Vous allez être redirigé vers OpenEdition Search