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Parution : Bogdan Cornea, « The Matter of Violence in Baroque Painting », Amsterdam, Amsterdam University Press, 2022

Baroque depictions of violence are often dismissed as ‘over the top’ and ‘excessive’. Their material richness and exciting visual complexity, together with the visceral engagement they demand from beholders, are usually explained in literature as reflecting the presumed violence of early modern society. This book explores the intersection between materiality, excess, and violence in seventeenth-century paintings through a close analysis of some of the most iconic works of the period. Baroque paintings expose or reference their materiality by insisting on various physical changes wrought through violence. This study approaches violence as the work of materiality, which has the potential to analogously stage pictorial surfaces as corporeal surfaces, where paint becomes flayed flesh, canvas threads ruptured skin, and red paint spilt blood.

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OpenEdition vous propose de citer ce billet de la manière suivante :
Florence Larcher (7 février 2023). Parution : Bogdan Cornea, « The Matter of Violence in Baroque Painting », Amsterdam, Amsterdam University Press, 2022. Collectif d'Historiens de l'Art de la Renaissance. Consulté le 15 juin 2025 à l’adresse https://doi.org/10.58079/mp3m


Florence Larcher

Florence Larcher est doctorante à l'Université Paris 1 Panthéon-Sorbonne et Fellow à la Bibliotheca Hertziana – Max Planck Institute for Art History. Ses recherches portent sur les saints, leurs images et leurs reliques en Italie du XIVe au XVIIe siècle, à la croisée de l'histoire et de la conservation de l'art.

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