Conférence : Adam Jasienski, « Critics from Hell. Evaluating the Truth of True Portraits in Early Modern Spain », Florence, Kunsthistorisches Institut in Florenz – Max-Planck-Institut, 20 février 2023

This talk analyzes the roles of portraiture in three sixteenth- and seventeenth-century religious cults: of the recently-deceased Ignatius of Loyola and Teresa of Ávila, whose appearance was known from portraits and descriptions, and long-deceased Saint Benedict. Institutional patrons insisted on producing increasingly portrait-like images of saints for whom there survived few or no reliable portrait likenesses, like the medieval saint Benedict. I analyze a case in which a group of nuns claimed that they had been possessed by demons who subsequently forced them to commission paintings, including of Benedict. It argues that period audiences were eager to accept authoritative declarations about the truthfulness of depictions of ancient and medieval saints, even if their sources were suspect.

Adam Jasienski is Associate Professor of Art History at SMU, where he specializes in 16th- and 17th-century visual culture, particularly in Spain and Latin America. He received his BA, MA, and PhD from Harvard University. His book, Praying to Portraits: Audience, Identity, and the Inquisition in the Early Modern Hispanic World, is forthcoming with Penn State University Press. Most recently, he was a Berenson Fellow at Villa I Tatti. His new project, on the history of emotions and early modern Catholic image-making, is currently supported by the Madrid Institute for Advanced Study at the Casa de Velázquez, the John Carter Brown Library, and the Thoma Foundation.

This will be a hybrid event.

Palazzo Grifoni Budini Gattai
Via dei Servi 51
50122 Firenze, Italia

To participate online please register in advance via Zoom: After registering, you will receive a confirmation email containing information about joining the meeting.


Florence Larcher

Florence Larcher est doctorante en histoire de l'art moderne à l'Université Paris 1 Panthéon-Sorbonne. Ses recherches portent sur l'image de saint Roch dans les arts visuels en Europe du XIVe au XVIIe siècle.

Vous aimerez aussi...

Rechercher dans OpenEdition Search

Vous allez être redirigé vers OpenEdition Search