Colloque : « Adornment / BU Mary L. Cornille Graduate Symposium 2023 », Boston, Museum of Fine Arts, 21-22 avril 2023

On behalf of the Boston University Mary L. Cornille Graduate Symposium in the History of Art and Architecture, we are pleased to announce that this year’s 39th annual symposium, “Adornment,” will take place at the Museum of Fine Arts on April 21st and 22nd, featuring a keynote lecture by Dr. Jill Burke from the University of Edinburgh. Register and see the full program at the link. We hope to see you there.

April 21st, Panel 1: Adornment, Power, and the Collective

3:30pm – 5:00pm – in the Trustees Room at the MFA, Boston
Pretty Little Things: Floral Adornments and their Implications of the Royal Cemetery of Ur – Raquel Robbins
Lucas Cranach the Elder and Judith: Powerful Portraits of Tyrannicidal Women in Reformation Germany – Cortney Berg
Agency in Adornment: Convents and Escudos de Monjas in New Spain – Angela Crenshaw

Keynote Speech: 5:30pm – 7:00pm
Adornment and Femininity in Renaissance Culture (and Now?) – Dr. Jill Burke

April 22nd, Panel 2: Adornment, Identity, and the Body

10:00am – 12:00pm – in the Trustees Room at MFA, Boston
Coral and the Kingly Body: The Peabody’s Coral Apron and the Benin Kingdom – Morgan Snoap
Figures in the Clouds: Necklines on Chinese Embroideries for the Parsi Community in Nineteenth-century India– Katy Rosenthal
Performing “Irishness”: The Tara Brooch, Celtic Revival Brooches, and Ethnic Nationalism – Rachel Sweeney
Royal Hawaiian Women’s Textile Politics: Fiber Arts, Fashion, and Anti-Colonial Action During the Kalākaua Era – Emily Cornish

More information: bugraduatesymposiumhaa@gmail.com

Source



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Florence Larcher (2023, 19 avril). Colloque : « Adornment / BU Mary L. Cornille Graduate Symposium 2023 », Boston, Museum of Fine Arts, 21-22 avril 2023. Collectif d'Historiens de l'Art de la Renaissance. Consulté le 20 juin 2024, à l’adresse https://doi.org/10.58079/mp5u

Florence Larcher

Florence Larcher est doctorante à l'Université Paris 1 Panthéon-Sorbonne. Ses recherches sur les images de saint Roch en Italie de 1350 à 1680 l'amènent à étudier la peinture murale, la sérialité et l'itinérance des peintres.

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