Colloque : Gernsheim Study Days: Accident or Strategy. The Collecting of Drawings in 16th and 17th Century Italy, Rome, Bibliotheca Hertziana, 10-12 mai 2023
Gernsheim Study Days: Accident or Strategy. The Collecting of Drawings in 16th and 17th Century Italy
Bibliotheca Hertziana – Max-Planck-Institut für Kunstgeschichte Rom
Location: Villino Stroganoff, Via Gregoriana 22, 00187 Roma and online
Concept and scientific organization: Tatjana Bartsch, Johannes Röll, Claire Van Cleave
Contact: fototeca@biblhertz.it
Public event without registration
Program
Wednesday, 10 May 2023 (https://vimeo.com/event/3198284)
14:30 WELCOME AND INTRODUCTION
Welcome: Tristan Weddigen, Director of the Bibliotheca Hertziana
Introduction: Claire Van Cleave, Independent Scholar
15:00 KEYNOTE LECTURE I
David Ekserdjian, University of Leicester
The Baiardo Inventory
16:00 PAUSE
16:20 SECTION 1
Chair: Lothar Sickel, Bibliotheca Hertziana
INTERVENTIONS
Peter Windows, Birmingham City University
The holograph Inventories of Marino Grimani (c. 1488–1546): Early Insights into the Collecting of Drawings
Marcella Marongiu, Fondazione Casa Buonarroti, Florence
Tommaso de’ Cavalieri e la sua collezione di disegni
Andrea Gianluca Donati, University of Barcelona
Marcello Venusti e Michelangelo: disegni originali e copie nel collezionismo romano da Tommaso de’ Cavalieri a Fulvio Orsini, dagli Aldobrandini ai Borghese
18:20 PAUSE
18:45 KEYNOTE LECTURE II
Carel van Tuyll van Serooskerken, Former Director of the Département des Art Graphiques, Musée du Louvre, Paris
Opportunities and Choices: the Drawings Collection of Don Livio Odescalchi (1658–1713)
Thursday, 11 May 2023 (https://vimeo.com/event/3198284)
9:10 SECTION 2
Chair: Matteo Lafranconi, Director of the Scuderie del Quirinale, Rome
INTERVENTIONS
Andrea Polati, Lonigo
Raccolta o collezione? Riflessioni e qualche ipotesi sui libri di disegni di Carlo Ridolfi
Marco Simone Bolzoni, Debra and Leon Black collection, New York
Artists Collecting Drawings in late Sixteenth-century Rome: from Federico Zuccari to Cavalier d’Arpino
Mary Vaccaro, University of Texas at Arlington
Annibale Carracci in Rome, Drawing as a Strategy for Collecting
11:15 PAUSE
11:30 SECTION 3
Chair: Tatjana Bartsch, Bibliotheca Hertziana
INTERVENTIONS
Lorenza Melli, Kunsthistorisches Institut in Florenz – Max-Planck-Institut
Sulle tracce della collezione Gaddi agli Uffizi
Flavia Barbarini, Temple University, Philadelphia
Searching for Drawings Beyond the Alps: Niccolò Gaddi and Joris Hoefnagel
Dirk Jacob Jansen, Forschungszentrum Gotha, University of Erfurt
“Meine liebste und schönste Contrafectur von Händen gerissen”: Functions of Jacopo Strada’s Paper Museum
13:30 LUNCH
14:15 SECTION 4
Chair: Claire Van Cleave, Independent Scholar
INTERVENTIONS
Claudia La Malfa, American University of Rome
Sulla provenienza e uso di un’antica collezione di disegni di Raffaello
Francesca Mattei, Università degli Studi Roma Tre
I disegni di Giulio Romano. Storia, archeologia, destino
15:35 PAUSE
15:55 SECTION 5
Chair: Simonetta Prosperi Valenti Rodinò, Università degli Studi di Roma “Tor Vergata”
INTERVENTIONS
Maria Elena DeLuca, Gabinetto dei Disegni e delle Stampe – Gallerie degli Uffizi, Florence
Filippo Baldinucci e il suo albero della memoria: l’ordinamento dei libri universali nella raccolta medicea del Gabinetto Disegni e Stampe degli Uffizi
Annkatrin Kaul-Trivolis, Johannes Gutenberg University Mainz
Imagining History. Padre Sebastiano Resta’s Collection of Drawings and the Visualisation of the History of Art(ists) in his Albums
Francesco Grisolia, Università degli Studi di Roma “Tor Vergata”
Strategie del collezionismo e regie del Disegno: padre Resta tra Classicismo e Maniera
Friday, 12 May 2023
09:30 – c. 13:00 ROUND TABLE
Chair: Johannes Röll, Bibliotheca Hertziana
OpenEdition vous propose de citer ce billet de la manière suivante :
Fiammetta Campagnoli (20 avril 2023). Colloque : Gernsheim Study Days: Accident or Strategy. The Collecting of Drawings in 16th and 17th Century Italy, Rome, Bibliotheca Hertziana, 10-12 mai 2023. Collectif d'Historiens de l'Art de la Renaissance. Consulté le 14 novembre 2024 à l’adresse https://doi.org/10.58079/mp5v