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Conférence : Marco Ruffini, « Giotto’s Ugliness. Art, Literature, and Pictorial Naturalism », Londres, The Courtauld, 3 mai 2023

Wednesday 3rd May 2023, 5pm – 6.30pm BST. Free, booking essential. Vernon Square campus, Lecture Theatre 1. This is an in person event at our Vernon Square campus. Booking will close 30 minutes before the event begins.

That Giotto was ugly – indeed of proverbial ugliness – Boccaccio tells us in the Decameron. But was this really Giotto’s physical appearance? This paper will explain that the painter’s ugliness is a symbolic attribute of Giotto’s pictorial naturalism focused on the faithful imitation of the natural world, at the time juxtaposed to ideal beauty. Giotto’s ugliness, therefore, has more to do with Giotto’s art rather than with his own physical features. As a matter of fact, depicting an artist as an ugly individual is a recurring trope in the history of pictorial naturalism and art literature from the classical to the modern age.

Marco Ruffini is Professor of History of Art Criticism and Artistic Literature at Sapienza, University of Rome. He studied at Sapienza and the University of California, Berkeley. He has taught at Dartmouth College and Northwestern University. His studies focus on theoretical and methodological issues in thinking about the arts and the history of art history.

Organised by Dr Guido Rebecchini (The Courtauld)

Source


OpenEdition vous propose de citer ce billet de la manière suivante :
Florence Larcher (29 avril 2023). Conférence : Marco Ruffini, « Giotto’s Ugliness. Art, Literature, and Pictorial Naturalism », Londres, The Courtauld, 3 mai 2023. Collectif d'Historiens de l'Art de la Renaissance. Consulté le 12 décembre 2024 à l’adresse https://doi.org/10.58079/mp65


Florence Larcher

Florence Larcher est doctorante à l'Université Paris 1 Panthéon-Sorbonne. Ses recherches sur les images de saint Roch en Italie de 1350 à 1680 l'amènent à étudier la peinture murale, la sérialité et l'itinérance des peintres.

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