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Parution : Marsely Kehoe, “Trade, Globalization, and Dutch Art and Architecture”, Amsterdam, Amsterdam University Press, 2023

We all look to our past to define our present, but we don’t always realize that our view of the past is shaped by subsequent events. It’s easy to forget that the Dutch dominated the world’s oceans and trade in the seventeenth century when our cultural imagination conjures up tulips and wooden shoes instead of spices and slavery. This book examines the Dutch so-called “Golden Age” though its artistic and architectural legacy, recapturing the global dimensions of this period by looking beyond familiar artworks to consider exotic collectibles and trade goods, and the ways in which far-flung colonial cities were made to look and feel like home. Using the tools of art history to approach questions about memory, history, and how cultures define themselves, this book demonstrates the centrality of material and visual culture to understanding history and cultural identity.

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OpenEdition vous propose de citer ce billet de la manière suivante :
Fiammetta Campagnoli (21 août 2023). Parution : Marsely Kehoe, “Trade, Globalization, and Dutch Art and Architecture”, Amsterdam, Amsterdam University Press, 2023. Collectif d'Historiens de l'Art de la Renaissance. Consulté le 10 octobre 2024 à l’adresse https://doi.org/10.58079/mp9f


Fiammetta Campagnoli

Fiammetta Campagnoli est doctorante en histoire de l'art moderne à l'Université Paris 1 Panthéon-Sorbonne. Ses recherches se concentrent sur la perception et sur la réception de la spatialité de l’image mariale au XVe et au XVIe siècle.

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