Parution : Douglas Dow, “Bernardino Poccetti and the Art of Religious Painting at the End of the Florentine Renaissance”, Amsterdam, Amsterdam University Press, 2023

By almost any measure Bernardino Barbatelli, called Poccetti, was a successful and sought after painter in late sixteenth-century Florence, but his works have remained largely overlooked. This study situates representative examples of his religious painting within their respective contexts to demonstrate how Poccetti and his patrons negotiated the increasingly fraught terrain of sacred painting in the period of religious reform. These case studies demonstrate how patrons ranging from the Dominicans to the Carthusians to prominent Florentine patricians relied on Poccetti’s skill in creating compelling narratives that reflected current concerns within the Catholic world. In the process, Poccetti invoked an august Florentine tradition of fresco painting, shaping it to better address the demands placed on religious imagery at the end of the Renaissance.

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OpenEdition vous propose de citer ce billet de la manière suivante :
Fiammetta Campagnoli (2 novembre 2023). Parution : Douglas Dow, “Bernardino Poccetti and the Art of Religious Painting at the End of the Florentine Renaissance”, Amsterdam, Amsterdam University Press, 2023. Collectif d'Historiens de l'Art de la Renaissance. Consulté le 18 juillet 2024 à l’adresse https://doi.org/10.58079/mpbm


Fiammetta Campagnoli

Fiammetta Campagnoli est doctorante en histoire de l'art moderne à l'Université Paris 1 Panthéon-Sorbonne. Ses recherches se concentrent sur la perception et sur la réception de la spatialité de l’image mariale au XVe et au XVIe siècle.

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