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Parution : Shannon McHugh, “Petrarch and the Making of Gender in Renaissance Italy”, Amsterdam, Amsterdam University Press, 2023

This book is a new history of early modern gender, told through the lyric poetry of Renaissance Italy. In the evolution of Western gender roles, the Italian Renaissance was a watershed moment, when a confluence of cultural developments disrupted centuries of Aristotelian, binary thinking. Men and women living through this upheaval exploited Petrarchism’s capacity for subjective expression and experimentation – as well as its status as the most accessible of genres – in order to imagine new gendered possibilities in realms such as marriage, war, and religion. One of the first studies to examine writing by early modern Italian men and women together, it is also a revolutionary testament to poetry’s work in the world. These poets’ works challenge the traditional boundaries drawn around lyric’s utility. They show us how poems could be sites of resistance against the pervading social order – how they are texts capable not only of recording social history, but also of shaping it.

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OpenEdition vous propose de citer ce billet de la manière suivante :
Fiammetta Campagnoli (12 février 2024). Parution : Shannon McHugh, “Petrarch and the Making of Gender in Renaissance Italy”, Amsterdam, Amsterdam University Press, 2023. Collectif d'Historiens de l'Art de la Renaissance. Consulté le 12 janvier 2025 à l’adresse https://doi.org/10.58079/12kz7


Fiammetta Campagnoli

Fiammetta Campagnoli est doctorante en histoire de l'art moderne à l'Université Paris 1 Panthéon-Sorbonne. Ses recherches se concentrent sur la perception et sur la réception de la spatialité de l’image mariale au XVe et au XVIe siècle.

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