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Parution : Margo Echenberg, “The Fame of Sor Juana Inés de la Cruz”, Amsterdam, Amsterdam University Press, 2023

The Fame of Sor Juana Inés de la Cruz traces the meteoric trajectory of the Mexican Tenth Muse’s renown and studies how her worldly celebrity was altered posthumously by elegists in her Fama y obras póstumas [Fame and Posthumous Works] of 1700. In this study of a polyphonic, transatlantic volume, the didactic framework of early modern fame is pushed to its limits as panegyrists inscribe the nun into an evolving world-view that could trade in the fictions of the saintly exemplar, the Tenth Muse or a New World treasure, but could not preserve a woman’s renown on the grounds of authorship. Only by making her legible could she vie for the promise of posthumous fame. In flushing out the machinations of Sor Juana’s role as agent of her own celebrity as well as the negotiations of her contemporaries, this book opens new lines of inquiry in the study of early modern fame and print culture and the role of writers, panegyrists and editors as cultural agents in the transatlantic literary relationship between Mexico and Spain.

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OpenEdition vous propose de citer ce billet de la manière suivante :
Fiammetta Campagnoli (28 décembre 2023). Parution : Margo Echenberg, “The Fame of Sor Juana Inés de la Cruz”, Amsterdam, Amsterdam University Press, 2023. Collectif d'Historiens de l'Art de la Renaissance. Consulté le 22 janvier 2025 à l’adresse https://doi.org/10.58079/ve9y


Fiammetta Campagnoli

Fiammetta Campagnoli est doctorante en histoire de l'art moderne à l'Université Paris 1 Panthéon-Sorbonne. Ses recherches se concentrent sur la perception et sur la réception de la spatialité de l’image mariale au XVe et au XVIe siècle.

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