Séminaire : Barbara Furlotti, « The Long Road to Success. Giulio Romano between Rome and Mantua », en ligne, 11 janvier-8 février 2024

In his Lives of the Artists (1568), Giorgio Vasari describes Giulio Romano (1492 or 1499/1546) as “inventive, versatile, prolific”, but also “jovial, affable, gracious and absolutely abounding in the finest manners”. Having met Giulio in Mantua and having spent a few days leafing through his outstanding collection of drawings, Vasari’s opinion was based on first-hand experience. For him, Giulio embodied the ideal Italian Renaissance artist: someone who possessed a prodigious talent and the manners of a perfect courtier.

By delving into the private and professional life of Giulio Romano, this course will investigate the many obstacles that one had to overcome to become a successful artist in the very competitive arena of Renaissance Italy, from the often harsh training in the workshop of a master to the struggle to find a patron. We shall follow Giulio from his apprenticeship in Rome with Raphael, who loved him dearly, to his years at the court of Mantua, where he established a strong relationship with Federico Gonzaga, the young duke of the city and a refined art lover. Giulio’s inventive creations for the Gonzaga court ranged from plans for grand villas to designs for silverware and were highly admired by both fellow artists, who would steal them, and European rulers, who would compete with each other to secure one of his works for their collection. Tellingly, Giulio is also the only Renaissance Italian artist mentioned by Shakespeare, who praised him in The Winter’s Tale, proof of his Europe-wide and enduring reputation.

11 January to 8 February 2024

Zoom seminars at 18:00 [and potentially at 19:30]

£195

Online


Citer ce billet
Florence Larcher (2023, 4 octobre). Séminaire : Barbara Furlotti, « The Long Road to Success. Giulio Romano between Rome and Mantua », en ligne, 11 janvier-8 février 2024. Centre d'Histoire de l'Art de la Renaissance. Consulté le 5 mars 2024, à l’adresse https://doi.org/10.58079/mpar

Florence Larcher

Florence Larcher est doctorante à l'Université Paris 1 Panthéon-Sorbonne. Ses recherches sur les images de saint Roch en Italie de 1350 à 1680 l'amènent à étudier la peinture murale, la sérialité et l'itinérance des peintres.

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