Appel à contribution : « Archaelogy of Colour. The Production of Polychromy in Sculpture up to the 16th century », Lisbonne/en ligne, 17-18 avril 2024, date limite le 15 décembre 2023

This symposium, to be held online, is organized within the scope of the project Archaeology of Colour (PTDC/ART-OUT/5992/2020), a project dedicated to studying the polychromy of medieval and early modern Portuguese sculpture. The symposium aims to engage scholars from different fields to enrich our understanding of the production of polychromy in sculpture up to the 16th century.

Communications on subjects related to the production of polychromy on different technologies, geographies, and chronologies are welcome:

  • Materials and Techniques
  • Documentation
  • The meanings of colour
  • Circulation of materials, techniques, artists, and artworks
  • Experimental Archaeology
  • Knowledge transmission among neighbourhood technologies, chronologies, and geographies
  • Novel techniques and scientific approaches for studying polychromy
  • Material/Digital reconstructions of past appearances – technical challenges, experience on the public’s response, etc.

Informations pratiques

  • Call for abstracts: 1st October- 15th of December 2023
  • Decision on abstracts: 1st of February 2024
  • Deadline for manuscripts: 16th of April 2024
  • Conference dates: 17th and 18th of April 2024 (online)

Papers will be published in a special issue of Conservar Património a peer-reviewed Open Access journal indexed in Scopus and Web of Science.

Organization: NOVA School of Science and Technology (Universidade NOVA de Lisboa) & Museu Nacional de Arte Antiga.

Source



Citer ce billet
Florence Larcher (2023, 29 novembre). Appel à contribution : « Archaelogy of Colour. The Production of Polychromy in Sculpture up to the 16th century », Lisbonne/en ligne, 17-18 avril 2024, date limite le 15 décembre 2023. Collectif d'Historiens de l'Art de la Renaissance. Consulté le 16 juin 2024, à l’adresse https://doi.org/10.58079/mpcd

Florence Larcher

Florence Larcher est doctorante à l'Université Paris 1 Panthéon-Sorbonne. Ses recherches sur les images de saint Roch en Italie de 1350 à 1680 l'amènent à étudier la peinture murale, la sérialité et l'itinérance des peintres.

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