Ressources numériques en sciences humaines et sociales OpenEdition Nos plateformes OpenEdition Books OpenEdition Journals Hypothèses Calenda Bibliothèques OpenEdition Freemium Suivez-nous

Exposition : « Drawn to Blue: Artists’ use of blue paper », Londres, The Courtauld, 2 octobre 2024-26 janvier 2025

2 Oct 2024 – 26 Jan 2025 
The Gilbert and Ildiko Butler Drawings Gallery 

This display will present a selection of drawings on blue paper from The Courtauld’s collection, ranging from works by the Venetian Renaissance artist Jacopo Tintoretto to an Indian landscape by German-born artist Johann Zoffany.

Made from fibres derived from blue rags, blue paper first appeared in Northern Italy in the 14th century. It became a popular drawing support for artists, and its use spread across Western Europe by the late 16th century; it was widely used in England and France in the 18th century. Blue paper provided a nuanced mid-tone which allowed the creation of strong light and dark contrasts, an effect much sought after by draughtsmen.

This exhibition project brought together a team of curators and paper conservators at The Courtauld and the J. Paul Getty Museum to explore the technical aspects and artistic richness of the use of blue paper.  

The programme of displays in the Gilbert and Ildiko Butler Drawings Gallery is generously supported by the International Music and Art Foundation, with additional support from James Bartos. 

Included with Gallery Entry.

Tickets for exhibitions at The Courtauld in 2024 go on sale next year. Sign up to The Courtauld Gallery newsletter to find out about our latest announcements, exhibitions, events and more. 

Source


OpenEdition vous propose de citer ce billet de la manière suivante :
Florence Larcher (19 novembre 2024). Exposition : « Drawn to Blue: Artists’ use of blue paper », Londres, The Courtauld, 2 octobre 2024-26 janvier 2025. Collectif d'Historiens de l'Art de la Renaissance. Consulté le 13 janvier 2025 à l’adresse https://doi.org/10.58079/12pll


Florence Larcher

Florence Larcher est doctorante à l'Université Paris 1 Panthéon-Sorbonne. Ses recherches sur les images de saint Roch en Italie de 1350 à 1680 l'amènent à étudier la peinture murale, la sérialité et l'itinérance des peintres.

Vous aimerez aussi...