Appel à contribution : « Renaissance Principles and Their Early Modern Receptions », Prague, 11-12 juin 2024, date limite le 10 mai 2024

The international two-day workshop for PhD students, post-docs and early career researchers focuses on the Renaissance as the key to the transformation of European art and society on the threshold of modern times. The normative approach often left aside contemporary regionalisms or local appropriations living apart from the main European currents.

We are interested in the problem of

  • New research on the arts and architecture of the Renaissance
  • Aspects of the Renaissance in Central Europe: modalities of receptions and appropriations
  • The reception and historiography of the Renaissance in the 18th, 19th and 20 centuries.

The program is composed from the lectures with discussion (11th June) and guided tours (12th June): architecture tour in Prague and commented tour with the curator and author of the exhibition “From Michelangelo to Callot: The Art of Mannerist Printmaking” in the National Gallery Prague.

We invite submissions from those interested in active participation in the form of a proposal (max. 800 characters) by 10 May 2024 to the address: petrasova@udu.cas.cz

We offer travel scholarship for the accepted participants. Additional information can be obtained from the same address. The length of the contribution should not be more than 20 minutes; the conference’s main language is English.

Source


OpenEdition vous propose de citer ce billet de la manière suivante :
Florence Larcher (4 avril 2024). Appel à contribution : « Renaissance Principles and Their Early Modern Receptions », Prague, 11-12 juin 2024, date limite le 10 mai 2024. Collectif d'Historiens de l'Art de la Renaissance. Consulté le 19 juillet 2024 à l’adresse https://doi.org/10.58079/w5w1


Florence Larcher

Florence Larcher est doctorante à l'Université Paris 1 Panthéon-Sorbonne. Ses recherches sur les images de saint Roch en Italie de 1350 à 1680 l'amènent à étudier la peinture murale, la sérialité et l'itinérance des peintres.

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