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Parution : Frederick Hepburn, “Emblems of Monarchy. Royal Portraiture in Yorkist and Early Tudor England”, Turnhout, Brepols, 2024

TABLE OF CONTENTS

Preface

Part 1: Burgundian dukes, Yorkist kings and the courtly context

– The painted portrait in the Burgundian Netherlands
– The Burgundian Netherlands and England: portraits of Edward IV and Elizabeth Woodville
– Paired portraits of Edward IV and Richard III
– Richard III: the Royal Collection portrait
– Series of images of English kings
– The viewing audience for portraits
– Painted portraits of earlier rulers

 

Part 2: Henry VII

– An imperial ruler
– Henry VII and Elizabeth of York: the red rose and the white
– Variant forms
– Henry alone: coins and sculptural images
– Henry alone: painted portraits
– Religious aspects of Henry’s iconography
– Henry and Elizabeth in sculpture
– The limits of likeness: the royal family in other media
– Lady Margaret Beaufort
– Prince Arthur
– Princesses Margaret and Mary

 

Part 3: Henry VIII

– From prince to king
– A European ruler
– Henry in other media: with and without a beard
– Head of church and state

Source


OpenEdition vous propose de citer ce billet de la manière suivante :
Fiammetta Campagnoli (20 juin 2024). Parution : Frederick Hepburn, “Emblems of Monarchy. Royal Portraiture in Yorkist and Early Tudor England”, Turnhout, Brepols, 2024. Collectif d'Historiens de l'Art de la Renaissance. Consulté le 11 avril 2026 à l’adresse https://doi.org/10.58079/13hly


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