Actualité des publications scientifiques (2015)

———————- THE ART BULLETIN ———————

The Art Bulletin, Vol. 97, No. 1, March 2015

  • SHERI FRANCIS SHANEYFELT, The Società del 1496: Supply, Demand, and Artistic Exchange in Renaissance Perugia (p. 10)

 

The Art Bulletin, Vol. 97, No. 2, June 2015

  • MARVIN TRACHTENBERG, Building and Writing S. Lorenzo in Florence: Architect, Biographer, Patron, and Prior (p.140)

 

The Art Bulletin, Vol. 97, No. 3, September 2015

  • KIRK AMBROSE, Digital Art History (p. 245)
  • FLORINA H. CAPISTRANO-BAKER, Whither Art History in the Non-Western World: Exploring the Other(’s) Art Histories (p. 246)

 

 

—————————– ART HISTORY —————————–

Art History, Volume 38, Issue 1, February 2015

  • Portrait and Imprint in Fifteenth-Century Italy (pages 10–37), Joost Keizer
  • Frans Floris’s Allegory of the Trinity (1562) and the Limits of Tolerance (pages 38–67), Edward H. Wouk

 

Art History, Volume 38, Issue 3, June 2015

  • Tintoretto’s Time (pages 414–433), Kamini Vellodi
  • Visuality, Morality, and Same-Sex Desire: The Infants Christ and Saint John the Baptist in Early Netherlandish Art (pages 434–461), Andrea Pearson

 

 

———– Art Histories Supplement 2.0———–

Art Histories Supplement 2.0, issue 1 (2015)

  • The studiolo of Francesco I de’ Medici: A Recently-Found Inventory, by Lindsay Alberts, p.3
  • The Giorgio Vasari Project: A user-generated content project, p.25

 

 

———– Artibus et Historiae ———–

Artibus et Historiae, no. 71 (XXXVI), 2015

  • Paul Joannides, Revival or Continuity? Three Turns about Pontormo (pp. 91-112)
  • Marcin Fabiański, L’iconografia del ‘Giove pittore di farfalle’ di Dosso Dossi, ossia il sogno di primavera di Alfonso d’Este (pp. 113-124)

 

 

—————— The Burlington Magazine ——————

The Burlington Magazine, July 2015

  • BOOK REVIEWS
    • The Miraculous Image in Renaissance Florence, M. Holmes by JOANNA CANNON
    • The Spectacle of Clouds, 1439–1650: Italian Art and Theatre, A. Buccheri by DAVID EKSERDJIAN

 

The Burlington Magazine, October 2015

  • ARTICLES
    • Titian’s ‘Danaë’ for Philip II of Spain: a clarification by CHARLES HOPE
  • BOOKS
    • Raphael, Notes and introduction by W.E. Suida, preface by B. Talvacchia by JANE MARTINEAU
    • La Pala d’Altare a Bologna nel Rinascimento, opere, artisti e città, 1450–1500, C. Cavalea by FRANCIS RUSSELL
    • Parmigianino’s ‘Madonna of the Long Neck’: A Grace beyond the Reach of Art, E.J. Olszewski by DAVID FRANKLIN
  • EXHIBITIONS
    • Federico da Montefeltro’s studiolo by FRANK DABELL

 

The Burlington Magazine, November 2015

  • BOOKS REVIEWS
    • Leon Battista Alberti and Nicholas Cusanus: Towards an Epistemology of Vision for Italian Renaissance Art and Culture, C.H. Carman by PETER HOWARD
    • Bramante’s Tempietto, the Roman Renaissance and the Spanish Crown, J. Freiburg by DAVID HEMSOLL
    • Cornelis Engebrechtsz. A Sixteenth-Century Leiden Artist and his Workshop, J.P. Filedt Kok, W. Gibson and Y. Bruijnen, with contributions by E. van Duijn and P. Klein by DAN EWING
  • EXHIBITIONS
    • Donatello in Padua by JEREMY WARREN
    • Medici tapestries by Bronzino and Pontormo by HELEN WYLD

 

The Burlington Magazine, December 2015

  • ARTICLES
    • Federico Zuccari and the chapel of the Dukes of Urbino at Loreto: the design for the altar of the Annunciation by ANTONIO RUSSO

 

 

———– IKON Journal of Iconographic Studies ———–

IKON Journal of Iconographic Studies, No. 8, 2015

  • Yvonne zu Dohna, An Introduction into the Popes’ Hermeneutics of Art. The Theology of the Aesthetic Experience of the “Other” in an Image
  • Judy Peter, The Renaissance. Ideological and Cultural Constructions of Grand Narratives

 

 

———- International Journal for Digital Art History ———-

International Journal for Digital Art History (DAH-Journal) – 1 (2015)

  • Lev Manovich, Data Science and Digital Art History
  • Benjamin Zweig, Forgotten Genealogies: Brief Reflections on the History of Digital Art History
  • Anna Bentkowska-Kafel, Debating Digital Art History
  • Elli Doulkaridou, Reframing Art History

 

 

——– Journal of Medieval and Early Modern Studies ——–

Journal of Medieval and Early Modern Studies, Vol. 45, No. 3, Sep 2015

  • Juliet Fleming: The Renaissance Collage: Signcutting and Signsewing, 443-456 (Free online access)

 

 

——- Journal of the Warburg and Courtauld Institutes ——-

Journal of the Warburg and Courtauld Institutes, Volume LXXVII (2014)

  • Climate, Astrology and the Age of the World in Thirteenth-Century Thought: Giles of Lessines and Roger Bacon on the Precession of the Solar Apogee, C. P. E. Nothaft
  • Marsilio Ficino’s ‘Si Deus Fiat Homo’ and Augustine’s ‘Non Ibi Legi’: The Incarnation and Plato’s Persona in the Scholia to the Laws, Denis Robichaud
  • Some Unpublished Notes by Marsilio Ficino on Plato’s Parmenides in MS Laur. 89 sup. 71, Valerio Sanzotta
  • A Print after Raphael’s Ajax and Cassandra and Another Antique Cameo, David Ekserdjian
  • Guglielmo della Porta’s Last Will and the Sale of his Passion of Christ to Diomede Leoni, Lothar Sickel

 

Journal of the Warburg and Courtauld Institutes, Volume LXXVIII (2015)

  • Triplex Periculum: The Moral Topography of Giotto’s Hell in the Arena Chapel, Padua, Anne Derbes and Mark Sandona
  • The Golden Age Returns: Virgil’s Fourth Eclogue in the Political Panegyric of the Italian Courts, L. B. T. Houghton
  • Cosimo Rosselli’s Birmingham Altarpiece, the Vallombrosan Abbey of S. Trinita in Florence and its Gianfigliazzi Chapel, Susan J. May and George T. Noszlopy
  • Decoding da Vinci’s impresa. Leonardo’s Gift to Ippolito d’Este and Mario Equicola’s De opportunitate (1507), Bernhard Schirg
  • Intricate Readings: Machiavelli, Aristotle, Thomas Aquinas, Carlo Ginzburg
  • Ronsard and the Visual Arts: A Study of Poetic Creativity, Margaret M. McGowan
  • André Thevet, Pierre Belon and Americana in the Embroideries of Mary Queen of Scots, Peter Mason
  • ‘Placardes and billis and ticquettis of defamatioun’: Queen Mary, the Mermaid and the Hare, Michael Bath and Malcolm Jones
  • John Dee’s ‘Brytish Impire’: ‘A Laborious Treatise’ on Ophir of 1577, Graham Yewbrey

 

 

———– Kunstchronik ———–

Kunstchronik Heft 5, Mai 2015

  • Berthold Kress, Divine Diagrams. The Manuscripts and Drawings of Paul Lautensack (1477/78–1558), Kathrin Müller (p. 234)
  • Anita Fiderer Moskowitz, Forging Authenticity – Bastianini and the Neo-Renaissance in Nineteenth-century Florence, Birgit Langhanke (p. 240)
  • Alexandra Zvereva, Portraits dessinés de la cour des Valois. Les Clouet de Catherine de Médicis, Philippe Bordes (p. 246)

 

 

— Mitteilungen des Kunsthistorischen Institutes in Florenz —

Mitteilungen des Kunsthistorischen Institutes in Florenz LVI (2014), Heft 2

  • Salvatore Settis, Rinascimento e decadenza: una simmetria necessaria (pp. 139–151)
  • Takuma Ito, Domenico Ghirlandaio’s Santa Maria Novella Altarpiece: A Reconstruction (pp. 171–191)
  • Antonio Russo, Pellegrino Tibaldi architetto: un progetto d’altare e qualche riflessione sugli altari del Duomo di Milano (pp. 237–245)

 

Mitteilungen des Kunsthistorischen Institutes in Florenz LVI (2014), Heft 3

  • Stefania Gerevini, “Sicut crystallus quando est obiecta soli”: Rock Crystal, Transparency and the Franciscan Order (pp.255–283)
  • Doris Carl, Verloren und wiedererfunden: Desiderio da Settignano, die Ximenes und das Ziborium der National Gallery in Washington (pp.285–323)
  • Jörn Steigerwald, Elegante Nachahmungen der schönen Natur: Literarhistorische Anmerkungen zu Giovan Pietro Belloris ‘Idea’ (pp.325–349)
  • Louis A. Waldman, “Vadunt ad habitandum hebrei”: The Otto di Balìa, Vasari, and the Hiding of Murals in Sixteenth-Century Florence (pp.351–354)
  • Federica Kappler, Una nota di cronologia sui disegni di Michelangelo per la pala Cesi di Santa Maria della Pace (pp.355–360)

 

Mitteilungen des Kunsthistorischen Institutes in Florenz LVII (2015), Heft 1

  • Christa Gardner von Teuffel, The Carmelite Altarpiece (circa 1290–1550): The Self-Identification of an Order (pp. 3–41)
  • Brenda Preyer, Palazzo Tornabuoni in 1498: A Palace ‘in Progress’ and Its Interior Arrangement (pp. 43–63)
  • F.W. Kent † – Caroline Elam, Piero del Massaio: Painter, Mapmaker and Military Surveyor (pp. 65–89)
  • Francesco P. Di Teodoro, “modo chome si de’ fare uno chammino che non facci fumo”. Camini tecnologici nei fogli di Leonardo (pp. 129–138)
  • Diletta Gamberini, Benedetto Varchi, Giovann’Angelo Montorsoli e il Tempio dei “Pippi”: un inedito dialogo in versi agli albori dell’Accademia Fiorentina del Disegno (pp. 139–144)

 

 

———– Print Quarterly ———–

Print Quarterly, XXXII, no. 1, March 2015

  • An Engraving by Giulio Bonasone after a Drawing by Giulio Romano by PAUL JOANNIDES
  • Prince Albert’s Reprint of Agostino Veneziano’s The Witch’s Procession by CHRISTIANE WIEBEL

 

Print Quarterly, XXXII, no. 2, June 2015

  • Picturing Venus in the Renaissance Print by SHINSUKE WATANABE
  • The Art and History of Globes by ELLY DEKKER

 

Print Quarterly, XXXII, no. 4, December 2015

  • Philippe Thomassin and Giulio Mancini’s Art Collection by JAMIE GABBARELLI
  • Maps of Paradise by DOMINIC BATE
  • Chiaroscuro in the Renaissance by NAOKO TAKAHATAKE AND NANCY BIALLER

 

 

———– Renaissance Quarterly ———–

Renaissance Quarterly, Vol. 68, No. 1, Spring 2015

  • Studies
    • The 2014 Josephine Waters Bennett Lecture: “Certain of Death”: Michelangelo’s Late Life and Art (pp. 1-32), William E. Wallace
    • Female Virtue and the Embodiment of Beauty: Vittoria Colonna in Paolo Giovio’s Notable Men and Women (pp. 33-97), Kenneth Gouwens
    • The Translations of a Humanist Ship Captain: Jean Parmentier’s 1529 Voyage to Sumatra (pp. 98-132), Michael Wintroub
    • Women’s Fashions and Politics in Seventeenth-Century Spain: The Rise and Fall of the Guardainfante (pp. 133-186), Amanda Wunder

 

Renaissance Quarterly, Vol. 68, No. 2, Summer 2015

  • Studies
    • The Business of Prostitution in Early Renaissance Venice (pp. 419-464), Paula C. Clarke
    • Incoherent Texts? Storytelling, Preaching, and the Cent nouvelles nouvelles in Marguerite de Navarre’s Heptaméron 21 (pp. 465-495), António De Ridder-Vignone
    • The Homeric Question in the Sixteenth Century: Early Modern Scholarship and the Text of Homer (pp. 496-557), Tania Demetriou
    • Reading Galileo’s Discorsi in the Early Modern University (pp. 558-596), Renée J. Raphael

 

Renaissance Quarterly, Vol. 68, No. 3, Fall 2015

  • Articles
    • City Portrait, Civic Body, and Commercial Printing in Sixteenth-Century Ghent (pp. 803-839), Frederik Buylaert, Jelle De Rock, and Anne-Laure Van Bruaene
    • Elizabeth I’s Virginity and the Body of Evidence: Jonson’s Notorious Crux (pp. 840-871), Kaara L. Peterson
    • Plato’s Hermaphrodite and a Vindication of the Sense of Touch in the Sixteenth Century (pp. 872-898), Pablo Maurette
    • The Matter of Belief in John Donne’s Holy Sonnets (pp. 899-931), Kimberly Anne Coles
    • The Language of Mysticism and the Language of Law in Early Modern Spain (pp. 932-956), Dale Shuger

 

 

———– Source : Notes on the History of Art ———–

Source : Notes on the History of Art (Vol. XXXIII No. 2, Winter 2014)

  • Grotesque Painting and Painting as Grotesque in the Renaissance, Una Roman D’Elia
  • Envy and the Other Vices in Michelangelo’s Last Judgment, Patricia Simons
  • The Satirical Charity of Saint Martin from Bosch to the German Baroque: a Drawing by Michael Herr, Martin W. Walsh

 

 



Citer ce billet
Florian Metral (2015, 10 décembre). Actualité des publications scientifiques (2015). Centre d'Histoire de l'Art de la Renaissance. Consulté le 12 avril 2024, à l’adresse https://char.hypotheses.org/4713

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