Actualité des publications scientifiques (2015)

———————- THE ART BULLETIN ———————

The Art Bulletin, Vol. 97, No. 1, March 2015

• SHERI FRANCIS SHANEYFELT, The Società del 1496: Supply, Demand, and Artistic Exchange in Renaissance Perugia (p. 10)

 

The Art Bulletin, Vol. 97, No. 2, June 2015

• MARVIN TRACHTENBERG, Building and Writing S. Lorenzo in Florence: Architect, Biographer, Patron, and Prior (p.140)

 

The Art Bulletin, Vol. 97, No. 3, September 2015

• KIRK AMBROSE, Digital Art History (p. 245)
• FLORINA H. CAPISTRANO-BAKER, Whither Art History in the Non-Western World: Exploring the Other(’s) Art Histories (p. 246)

 

 

—————————– ART HISTORY —————————–

Art History, Volume 38, Issue 1, February 2015

• Portrait and Imprint in Fifteenth-Century Italy (pages 10–37), Joost Keizer
• Frans Floris’s Allegory of the Trinity (1562) and the Limits of Tolerance (pages 38–67), Edward H. Wouk

 

Art History, Volume 38, Issue 3, June 2015

• Tintoretto’s Time (pages 414–433), Kamini Vellodi
• Visuality, Morality, and Same-Sex Desire: The Infants Christ and Saint John the Baptist in Early Netherlandish Art (pages 434–461), Andrea Pearson

 

 

———– Art Histories Supplement 2.0———–

Art Histories Supplement 2.0, issue 1 (2015)

• The studiolo of Francesco I de’ Medici: A Recently-Found Inventory, by Lindsay Alberts, p.3
• The Giorgio Vasari Project: A user-generated content project, p.25

 

 

———– Artibus et Historiae ———–

Artibus et Historiae, no. 71 (XXXVI), 2015

• Paul Joannides, Revival or Continuity? Three Turns about Pontormo (pp. 91-112)
• Marcin Fabiański, L’iconografia del ‘Giove pittore di farfalle’ di Dosso Dossi, ossia il sogno di primavera di Alfonso d’Este (pp. 113-124)

 

 

—————— The Burlington Magazine ——————

The Burlington Magazine, July 2015

• BOOK REVIEWS
  • The Miraculous Image in Renaissance Florence, M. Holmes by JOANNA CANNON
  • The Spectacle of Clouds, 1439–1650: Italian Art and Theatre, A. Buccheri by DAVID EKSERDJIAN

 

The Burlington Magazine, October 2015

• ARTICLES
  • Titian’s ‘Danaë’ for Philip II of Spain: a clarification by CHARLES HOPE
• BOOKS
  • Raphael, Notes and introduction by W.E. Suida, preface by B. Talvacchia by JANE MARTINEAU
  • La Pala d’Altare a Bologna nel Rinascimento, opere, artisti e città, 1450–1500, C. Cavalea by FRANCIS RUSSELL
  • Parmigianino’s ‘Madonna of the Long Neck’: A Grace beyond the Reach of Art, E.J. Olszewski by DAVID FRANKLIN
• EXHIBITIONS
  • Federico da Montefeltro’s studiolo by FRANK DABELL

 

The Burlington Magazine, November 2015

• BOOKS REVIEWS
  • Leon Battista Alberti and Nicholas Cusanus: Towards an Epistemology of Vision for Italian Renaissance Art and Culture, C.H. Carman by PETER HOWARD
  • Bramante’s Tempietto, the Roman Renaissance and the Spanish Crown, J. Freiburg by DAVID HEMSOLL
  • Cornelis Engebrechtsz. A Sixteenth-Century Leiden Artist and his Workshop, J.P. Filedt Kok, W. Gibson and Y. Bruijnen, with contributions by E. van Duijn and P. Klein by DAN EWING

• EXHIBITIONS
  • Donatello in Padua by JEREMY WARREN
  • Medici tapestries by Bronzino and Pontormo by HELEN WYLD

 

The Burlington Magazine, December 2015

• ARTICLES
  • Federico Zuccari and the chapel of the Dukes of Urbino at Loreto: the design for the altar of the Annunciation by ANTONIO RUSSO

 

 

———– IKON Journal of Iconographic Studies ———–

IKON Journal of Iconographic Studies, No. 8, 2015

• Yvonne zu Dohna, An Introduction into the Popes’ Hermeneutics of Art. The Theology of the Aesthetic Experience of the “Other” in an Image
• Judy Peter, The Renaissance. Ideological and Cultural Constructions of Grand Narratives

 

 

———- International Journal for Digital Art History ———-

International Journal for Digital Art History (DAH-Journal) – 1 (2015)

• Lev Manovich, Data Science and Digital Art History
• Benjamin Zweig, Forgotten Genealogies: Brief Reflections on the History of Digital Art History
• Anna Bentkowska-Kafel, Debating Digital Art History
• Elli Doulkaridou, Reframing Art History

 

 

——– Journal of Medieval and Early Modern Studies ——–

Journal of Medieval and Early Modern Studies, Vol. 45, No. 3, Sep 2015

• Juliet Fleming: The Renaissance Collage: Signcutting and Signsewing, 443-456 (Free online access)

 

 

——- Journal of the Warburg and Courtauld Institutes ——-

Journal of the Warburg and Courtauld Institutes, Volume LXXVII (2014)

• Climate, Astrology and the Age of the World in Thirteenth-Century Thought: Giles of Lessines and Roger Bacon on the Precession of the Solar Apogee, C. P. E. Nothaft
• Marsilio Ficino’s ‘Si Deus Fiat Homo’ and Augustine’s ‘Non Ibi Legi’: The Incarnation and Plato’s Persona in the Scholia to the Laws, Denis Robichaud
• Some Unpublished Notes by Marsilio Ficino on Plato’s Parmenides in MS Laur. 89 sup. 71, Valerio Sanzotta
• A Print after Raphael’s Ajax and Cassandra and Another Antique Cameo, David Ekserdjian
• Guglielmo della Porta’s Last Will and the Sale of his Passion of Christ to Diomede Leoni, Lothar Sickel

 

Journal of the Warburg and Courtauld Institutes, Volume LXXVIII (2015)

• Triplex Periculum: The Moral Topography of Giotto’s Hell in the Arena Chapel, Padua, Anne Derbes and Mark Sandona
• The Golden Age Returns: Virgil’s Fourth Eclogue in the Political Panegyric of the Italian Courts, L. B. T. Houghton
• Cosimo Rosselli’s Birmingham Altarpiece, the Vallombrosan Abbey of S. Trinita in Florence and its Gianfigliazzi Chapel, Susan J. May and George T. Noszlopy
• Decoding da Vinci’s impresa. Leonardo’s Gift to Ippolito d’Este and Mario Equicola’s De opportunitate (1507), Bernhard Schirg
• Intricate Readings: Machiavelli, Aristotle, Thomas Aquinas, Carlo Ginzburg
• Ronsard and the Visual Arts: A Study of Poetic Creativity, Margaret M. McGowan
• André Thevet, Pierre Belon and Americana in the Embroideries of Mary Queen of Scots, Peter Mason
• ‘Placardes and billis and ticquettis of defamatioun’: Queen Mary, the Mermaid and the Hare, Michael Bath and Malcolm Jones
• John Dee’s ‘Brytish Impire’: ‘A Laborious Treatise’ on Ophir of 1577, Graham Yewbrey

 

 

———– Kunstchronik ———–

Kunstchronik Heft 5, Mai 2015

• Berthold Kress, Divine Diagrams. The Manuscripts and Drawings of Paul Lautensack (1477/78–1558), Kathrin Müller (p. 234)
• Anita Fiderer Moskowitz, Forging Authenticity – Bastianini and the Neo-Renaissance in Nineteenth-century Florence, Birgit Langhanke (p. 240)
• Alexandra Zvereva, Portraits dessinés de la cour des Valois. Les Clouet de Catherine de Médicis, Philippe Bordes (p. 246)

 

 

— Mitteilungen des Kunsthistorischen Institutes in Florenz —

Mitteilungen des Kunsthistorischen Institutes in Florenz LVI (2014), Heft 2

• Salvatore Settis, Rinascimento e decadenza: una simmetria necessaria (pp. 139–151)
• Takuma Ito, Domenico Ghirlandaio’s Santa Maria Novella Altarpiece: A Reconstruction (pp. 171–191)
• Antonio Russo, Pellegrino Tibaldi architetto: un progetto d’altare e qualche riflessione sugli altari del Duomo di Milano (pp. 237–245)

 

Mitteilungen des Kunsthistorischen Institutes in Florenz LVI (2014), Heft 3

• Stefania Gerevini, “Sicut crystallus quando est obiecta soli”: Rock Crystal, Transparency and the Franciscan Order (pp.255–283)
• Doris Carl, Verloren und wiedererfunden: Desiderio da Settignano, die Ximenes und das Ziborium der National Gallery in Washington (pp.285–323)
• Jörn Steigerwald, Elegante Nachahmungen der schönen Natur: Literarhistorische Anmerkungen zu Giovan Pietro Belloris ‘Idea’ (pp.325–349)
• Louis A. Waldman, “Vadunt ad habitandum hebrei”: The Otto di Balìa, Vasari, and the Hiding of Murals in Sixteenth-Century Florence (pp.351–354)
• Federica Kappler, Una nota di cronologia sui disegni di Michelangelo per la pala Cesi di Santa Maria della Pace (pp.355–360)

 

Mitteilungen des Kunsthistorischen Institutes in Florenz LVII (2015), Heft 1

• Christa Gardner von Teuffel, The Carmelite Altarpiece (circa 1290–1550): The Self-Identification of an Order (pp. 3–41)
• Brenda Preyer, Palazzo Tornabuoni in 1498: A Palace ‘in Progress’ and Its Interior Arrangement (pp. 43–63)
• F.W. Kent † – Caroline Elam, Piero del Massaio: Painter, Mapmaker and Military Surveyor (pp. 65–89)
• Francesco P. Di Teodoro, “modo chome si de’ fare uno chammino che non facci fumo”. Camini tecnologici nei fogli di Leonardo (pp. 129–138)
• Diletta Gamberini, Benedetto Varchi, Giovann’Angelo Montorsoli e il Tempio dei “Pippi”: un inedito dialogo in versi agli albori dell’Accademia Fiorentina del Disegno (pp. 139–144)

 

 

———– Print Quarterly ———–

Print Quarterly, XXXII, no. 1, March 2015

• An Engraving by Giulio Bonasone after a Drawing by Giulio Romano by PAUL JOANNIDES
• Prince Albert’s Reprint of Agostino Veneziano’s The Witch’s Procession by CHRISTIANE WIEBEL

 

Print Quarterly, XXXII, no. 2, June 2015

• Picturing Venus in the Renaissance Print by SHINSUKE WATANABE
• The Art and History of Globes by ELLY DEKKER

 

Print Quarterly, XXXII, no. 4, December 2015

• Philippe Thomassin and Giulio Mancini’s Art Collection by JAMIE GABBARELLI
• Maps of Paradise by DOMINIC BATE
• Chiaroscuro in the Renaissance by NAOKO TAKAHATAKE AND NANCY BIALLER

 

 

———– Renaissance Quarterly ———–

Renaissance Quarterly, Vol. 68, No. 1, Spring 2015

• Studies
  • The 2014 Josephine Waters Bennett Lecture: “Certain of Death”: Michelangelo’s Late Life and Art (pp. 1-32), William E. Wallace
  • Female Virtue and the Embodiment of Beauty: Vittoria Colonna in Paolo Giovio’s Notable Men and Women (pp. 33-97), Kenneth Gouwens
  • The Translations of a Humanist Ship Captain: Jean Parmentier’s 1529 Voyage to Sumatra (pp. 98-132), Michael Wintroub
  • Women’s Fashions and Politics in Seventeenth-Century Spain: The Rise and Fall of the Guardainfante (pp. 133-186), Amanda Wunder

 

Renaissance Quarterly, Vol. 68, No. 2, Summer 2015

• Studies
  • The Business of Prostitution in Early Renaissance Venice (pp. 419-464), Paula C. Clarke
  • Incoherent Texts? Storytelling, Preaching, and the Cent nouvelles nouvelles in Marguerite de Navarre’s Heptaméron 21 (pp. 465-495), António De Ridder-Vignone
  • The Homeric Question in the Sixteenth Century: Early Modern Scholarship and the Text of Homer (pp. 496-557), Tania Demetriou
  • Reading Galileo’s Discorsi in the Early Modern University (pp. 558-596), Renée J. Raphael

 

Renaissance Quarterly, Vol. 68, No. 3, Fall 2015

• Articles
  • City Portrait, Civic Body, and Commercial Printing in Sixteenth-Century Ghent (pp. 803-839), Frederik Buylaert, Jelle De Rock, and Anne-Laure Van Bruaene
  • Elizabeth I’s Virginity and the Body of Evidence: Jonson’s Notorious Crux (pp. 840-871), Kaara L. Peterson
  • Plato’s Hermaphrodite and a Vindication of the Sense of Touch in the Sixteenth Century (pp. 872-898), Pablo Maurette
  • The Matter of Belief in John Donne’s Holy Sonnets (pp. 899-931), Kimberly Anne Coles
  • The Language of Mysticism and the Language of Law in Early Modern Spain (pp. 932-956), Dale Shuger

 

 

———– Source : Notes on the History of Art ———–

Source : Notes on the History of Art (Vol. XXXIII No. 2, Winter 2014)

• Grotesque Painting and Painting as Grotesque in the Renaissance, Una Roman D’Elia
• Envy and the Other Vices in Michelangelo’s Last Judgment, Patricia Simons
• The Satirical Charity of Saint Martin from Bosch to the German Baroque: a Drawing by Michael Herr, Martin W. Walsh

 

 

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