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Journées d’étude : « The Challenge of Historical Distance Historicism and Anachronism in the Study of Art », Florence, Nederlands Interuniversitair Kunsthistorisch Instituut, 6-7 novembre 2025

The conference will question how art historians approach the problem of historical distance. It is organised in celebration of the scholarship of Prof. Gervase Rosser and in honour of his retirement from the University of Oxford. One aspect of Gervase’s career that we particularly want to celebrate is his prominence as both historian and art historian. Numerous recent publications have explored the study of the past through different lenses. They have complicated the idea of ‘historical contexts’ by showing the ability of artworks to simultaneously refer to various time periods. They have also encouraged cross-temporal and sometimes ahistorical interpretations of premodern artifacts in the light of modern theories and concerns. This conference will bridge the ‘historicist’ and ‘anachronist’ camp in an attempt to theorise the thorny issue of time which sits at the core of both history and art history.

For online registration and further information please visit https://www.niki-florence.org/in-person-online-conference-the-challenge-of-historical-distance-historicism-and-anachronism/?lang=en

Thursday, 6 November

09:00 Coffee/Tea
09:30 Michael W. Kwakkelstein (NIKI / Utrecht University) – Director’s Welcome
09:45 Lia Costiner (Utrecht University) & Elena Lichmanova (University of Oxford & British Library) – Introduction to the Conference

Session I – Theories of Time
Chair: Costanza Beltrami (Stockholm University)

10:00 Jas Elsner (University of Oxford) – Between Historicism and Anachronism: Reflections on an Inescapable Dialectic in Art History
10:30 Armin Bergmeier (University of Leipzig) – Anachronisms and Epistemological Critique: From Riegl to Critical Heritage Studies
11:00 Coffee/Tea
11:30 Keith Moxey (Barnard College) – Globalization’s Dilemma
12:00 Discussion
12:15 Lunch

Session II – Conversations across Time
Chair: Dennis Geronimus (New York University)

13:30 Michael Ann Holly (Clark Institute, Williamstown, Mass.) – Pause in Paint
14:00 Hannah Skoda (University of Oxford)
14:30 Caspar Pearson (The Warburg Institute, London) – Past and Present at the Sassetti Chapel: A Fusion of Horizons?
15:00 Discussion
15:15 Coffee/Tea

Session III – Spaces and Objects in Time
Chair: Michael W. Kwakkelstein (NIKI / Utrecht University)

15:45 Ben Thomas (Trinity College, Dublin) – Behind the Image: Time and the Sassetti Chapel in Santa Trinita, Florence
16:15 Susie Nash (The Courtauld Institute, London) – The Libretto of Louis of Anjou: Keeping Time
16:45 Donal Cooper (University of Cambridge) – “Vecchi e sproporzionati”: Dialectics of Time and Space in the Italian Renaissance Church Interior
17:15 Discussion

19:00 Conference Dinner

Friday, 7 November

08:45–09:00 Coffee/Tea

Session IV – Fractures and Continuities
Chair: Gerhard Wolf (Kunsthistorisches Institut in Florenz)

09:00 Maria Loh (Institute for Advanced Study, Princeton) – Cats and Dogs Living in Harmony: Early Modern Tales of War and Peace
09:30 Nancy Thebaut (University of Oxford) – A Spectrum of Desires: Looking Back at Sex and Gender in the Medieval Past from our Present Moment
10:00 Heike Droste (Stockholm University) – Triangulating Nostalgia: To Diagnose Ruptures in Historical Time
10:30 Discussion
10:45 Coffee/Tea

11:00 Excursion to San Miniato (led by Saida Bondini, Kunsthistorisches Institut in Florenz)
13:30 Lunch
14:30 Final Discussion
15:45 Concluding Remarks
16:00 Reception

Source


OpenEdition vous propose de citer ce billet de la manière suivante :
Florence Larcher (16 octobre 2025). Journées d’étude : « The Challenge of Historical Distance Historicism and Anachronism in the Study of Art », Florence, Nederlands Interuniversitair Kunsthistorisch Instituut, 6-7 novembre 2025. Collectif d'Historiens de l'Art de la Renaissance. Consulté le 17 décembre 2025 à l’adresse https://doi.org/10.58079/14ytr


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