Auteur : Fiammetta Campagnoli

Séminaire du Collectif Renaissance : Emanuele Lugli, « Démêler l’évident : sujets cachés dans les cheveux », Paris, INHA, 11 décembre 2023, 18h00

Le Collectif Renaissance a le plaisir de vous inviter à la séance de Lundi 11 décembre 2023 de 18h à 20h à la Galerie Colbert/INHA, Paris Emanuele Lugli (Stanford University) Démêler l’évident : sujets cachés dans les cheveux Séance introduite par Antonella Fenech (CNRS/Centre André Chastel) La séance aura lieu en salle Vasari, Galerie Colbert/INHA, 2 rue Vivienne 75002 Paris La séance sera retransmise en direct sur Zoom code réunion : 980 3174 4092 code secret :...

Parution : Robin Milner-Gulland, “Andrey Rublev The Artist and His World”, Chicago, Chicago University Press, 2023

A critical biography of the most celebrated religious icon painter in medieval Russia. A monk from Moscow, Andrey Rublev (c.1360–c.1430) is heralded as the greatest painter of religious icons and frescos in medieval Russia. Nevertheless, his life remains largely mysterious to historians and devotees alike. In this book, Robin Milner-Gulland provides the first English-language account of the artist’s life as a window into the world of medieval Moscow. Beautifully illustrated with previously unpublished images, Andrey Rublev offers...

Colloque : “Il cantiere nel Cinquecento: Fontainebleau”, Rome et en ligne, 30 Nov-1 Déc 2023

Il cantiere nel Cinquecento: architettura e decorazione. Fontainebleau. The seminar will examine the case of the decoration at the Château of Fontainebleau, a central episode in 16th-century artistic culture in Europe, within the framework of the international research project I cantieri in Europa nel Cinquecento: architettura e decorazione, now at its second stage after the session on Rome held in 2019. Seventy years after the exhibition Fontainebleau e la Maniera italiana (Naples 1952), it is...

Parution : Serena Laiena, “The Theatre Couple in Early Modern Italy Self-Fashioning and Mutual Marketing”, Harrogate, Combined Academic Publishers, 2023

Who were the first celebrity couples? How was their success forged? Which forces influenced their self-fashioning and marketing strategies? These questions are at the core of this study, which looks at the birth of a phenomenon, that of the couple in the show business, with a focus on the promotional strategies devised by two professional performers: Giovan Battista Andreini (1576-1654) and Virginia Ramponi (1583-ca.1631). This book examines their artistic path – a deliberately crafted and...

Exposition : “Il tocco di Pigmalione. Rubens e la scultura a Roma”, Rome, Galleria Borghese, du 14 novembre 2023 au 18 février 2024

Dal 14 novembre con la mostra Il tocco di Pigmalione. Rubens e la scultura a Roma, a cura di Francesca Cappelletti e Lucia Simonato, la Galleria Borghese inaugura la seconda tappa di RUBENS! La nascita di una pittura europea, un grande progetto realizzato in collaborazione con Fondazione Palazzo Te e Palazzo Ducale di Mantova che racconta i rapporti tra la cultura italiana e l’Europa attraverso gli occhi del Maestro della pittura barocca, e si inserisce...

Parution : Meredith K. Ray et Lynn Lara Westwater (dir.), “Gendering the Renaissance Text and Context in Early Modern Italy”, Harrogate, Combined Academic Publishers, 2023

The essays in this volume revisit the Italian Renaissance to rethink spaces thought to be defined and certain: from the social spaces of convent, court, or home, to the literary spaces of established genres such as religious plays or epic poetry. Repopulating these spaces with the women who occupied them but have often been elided in the historical record, the essays also remind us to ask what might obscure our view of texts and archives,...

Parution : Stephanie Porras, “The First Viral Images Maerten de Vos, Antwerp Print, and the Early Modern Globe”, University Park, Penn State University Press, 2023

As a social phenomenon and a commonplace of internet culture, virality provides a critical vocabulary for addressing questions raised by the global mobility and reproduction of early modern artworks. This book uses the concept of virality to study artworks’ role in the uneven processes of early modern globalization. Drawing from archival research in Asia, Europe, and the Americas, Stephanie Porras traces the trajectories of two interrelated objects made in Antwerp in the late sixteenth century:...

Parution : Katherine Dauge-Roth et Craig Koslofsky (dir.), “Stigma. Marking Skin in the Early Modern World”, University Park, Penn State University Press, 2023

The early modern period opened a new era in the history of dermal marking. Intensifying global travel and trade, especially the slave trade, bought diverse skin-marking practices into contact as never before. Stigma examines the distinctive skin cultures and marking methods of Asia, Europe, Africa, and the Americas as they began to circulate and reshape one another in the early modern world. By highlighting the interwoven histories of tattooing, branding, stigmata, baptismal and beauty marks, wounds and scars, this volume...

Conférence : Recensement de la peinture en France au XVIe siècle. La peinture à Paris le portrait “provincial”, le 24 novembre 2023, INHA, Salle Vasari, de 18h à 19h30

Cette rencontre coïncidera avec la mise en ligne d’une nouvelle tranche du « Recensement de la peinture en France au XVIe siècle ». Le propos portera d’une part sur la peinture parisienne et la première école de Fontainebleau, et d’autre part sur le portrait « provincial ». La dénomination d’« école de Fontainebleau » permet de distinguer les œuvres d’un anonymat plus général, en les rattachant à la tendance dominante de l’art de cour, qui...

Patution : Jean-Claude Schmitt, “Les images médiévales. La figure et le corps”, Paris, Gallimard, 2023

De l’empreinte bouleversante d’une main humaine datée du paléolithique dans la Grotte Cosquer (30 000 ans avant notre ère) à la pipe peinte en 1929 par René Magritte prévenant que : « Ceci n’est pas une pipe », les images ne cessent de nous renvoyer aux mêmes questions essentielles : qu’est-ce que représenter ? Imiter et figurer, est-ce la même chose ? Quel le rapport entre l’objet ou la personne représentés et leurs images ?...

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