Catégorie : Conférences

Conférence : Recensement de la peinture en France au XVIe siècle. La peinture à Paris le portrait “provincial”, le 24 novembre 2023, INHA, Salle Vasari, de 18h à 19h30

Cette rencontre coïncidera avec la mise en ligne d’une nouvelle tranche du « Recensement de la peinture en France au XVIe siècle ». Le propos portera d’une part sur la peinture parisienne et la première école de Fontainebleau, et d’autre part sur le portrait « provincial ». La dénomination d’« école de Fontainebleau » permet de distinguer les œuvres d’un anonymat plus général, en les rattachant à la tendance dominante de l’art de cour, qui...

Conférences : « WAI Lecture Series on Renaissance Art & Culture », Shanghai, World Art History Institute/en ligne, 15 septembre 2023-20 septembre 2024

Established in 2020, the World Art History Institute (WAI) at Shanghai International Studies University has firmly established itself as a leading research institution closely affiliated with the Comité International d’Histoire de l’Art (CIHA). Its primary mission is to promote World Art Studies in China and foster collaboration within the global network of art history institutions, museums, archives, and libraries. In commemoration of its founding, WAI Shanghai will inaugurate the Distinguished WAI Lecture Series in September...

Conférences : « I disegni di Michelangelo », Florence, Museo della Casa Buonarroti, 19 octobre-14 décembre 2023

La Casa Buonarroti organizza per l’autunno 2023 un ciclo di conferenze dedicate ai più importanti fogli della sua collezione di disegni di Michelangelo. Le conferenze fanno da contorno al progetto di riallestimento della sala del museo dedicata all’esposizione temporanea dei disegni, che sarà compiuto nell’anno 2023 a completamento del rinnovamento dell’allestimento e dell’apparato informativo delle sale del museo che ospitano opere di Michelangelo, realizzato nell’anno precedente con l’obiettivo di migliorare le condizioni psico-fisiche del pubblico durante...

Séminaire : Barbara Furlotti, « The Long Road to Success. Giulio Romano between Rome and Mantua », en ligne, 11 janvier-8 février 2024

In his Lives of the Artists (1568), Giorgio Vasari describes Giulio Romano (1492 or 1499/1546) as “inventive, versatile, prolific”, but also “jovial, affable, gracious and absolutely abounding in the finest manners”. Having met Giulio in Mantua and having spent a few days leafing through his outstanding collection of drawings, Vasari’s opinion was based on first-hand experience. For him, Giulio embodied the ideal Italian Renaissance artist: someone who possessed a prodigious talent and the manners of...

Conférence : Patricia Rubin, « Titian and the “Ethiop’s ear” », Londres, The Courtauld, 6 octobre 2023

With a small, but significant or rather signifying detail – pink earrings – Titian colour-coded the Africans in his paintings. This consistent marking out of difference refers, however, to fluid and fluctuating concepts of Africa and that continent’s inhabitants. Occurring in different pictorial genres (portraits, poesie, and religious paintings), Titian’s Africans play different roles and have different subject positions. In their variety they register both alterity and the complexity represented by Africa as a legendary...

Conférences : « Ordinary People: Paintings and Prints of Everyday Life from Bruegel to Hopper », Londres/en ligne, The Courtauld, 3 octobre-5 décembre 2023

This series of lectures explores the representation of everyday life in Western art from the sixteenth to the early twentieth centuries. Compared with the narrative complexities and learned references of history painting, the art of everyday life appears uncomplicated, and itself often contributed to the fiction of an unmediated representation of the ‘here and now’. Particularly in the early modern period, this art was widely characterised by an exceptional naturalism, or even illusionism that signalled...

Conférence : Présentation de Francesco P. Di Teodoro, Emanuela Ferretti, Sabine Frommel, Hermann Schlimme (dir.), « Léonard de Vinci : l’architecture », Rome, Accademia Nazionale di San Luca, 27 septembre 2023

Mercoledì 27 settembre 2023 alle 17:30, Accademia Nazionale di San Luca, Roma. Introduce Claudio Strinati. Intervengono Mario Bevilaqua, Antonio Becchi, Stéphane Toussaint. Saranno presenti Francesco P. Di Teodoro, Emanuela Ferretti e Sabine Frommel. L’incontro sarà occasione per dedicare un breve ricordo a Hermann Schlimme, recentemente scomparso. Ce volume relance un débat interdisciplinaire et international sur la relation entre Léonard et l’architecture, un terrain de recherche particulièrement délicat, puisqu’à ce jour aucun bâtiment ne peut lui être attribué avec certitude, au regard des innombrables...

Conférence : Alexander Marr, « Three Renaissance Grotesques: Holbein, Dürer, Massys  », Oxford, University of Oxford, 27 septembre 2023

Magdalen College, University of Oxford Grove Auditorium (entry via Longwall Street) 27 September 2023, 5pm  The Renaissance grotesque is normally thought of as an ornamental art of the margins: fantastical rather than natural, supplementary instead of central. But what if we were to approach a core subject in the rise of naturalism, the Northern Renaissance portrait, on grotesque terms? This lecture will re-assess three well-known portraits—Hans Holbein the Younger’s Derich Born, Albrecht Dürer’s St Jerome in his...

Conférence : Frank Fehrenbach, « Der Punkt und das Universum. Leonardos Imaginarien der Kraft », Eichstaett, Katholischen Universität Eichstätt-Ingolstadt / en ligne, 6 juillet 2023

06.07.2023 Prof. Dr. Frank Fehrenbach, Hamburgum 18.30 Uhr an der Katholischen Universität Eichstätt-Ingolstadt und per ZOOM Thema: Der Punkt und das Universum. Leonardos Imaginarien der Kraft Abstract: In einem Manuskripteintrag aus der Zeit um 1500 spekuliert Leonardo da Vinci über eine gigantische Kanone, welche die Erde als Projektil ans Ende der Planetensphären schießen könnte. Die Erzeugung superlativischer mechanischer Kräfte und die großräumliche technische Veränderung der Erdoberfläche beschäftigen Leonardo in denselben Jahren. Zugleich entwickeln sich seine...

Conférence en ligne : Mary D. Garrard, Beverley Brown et François Quiviger, Artemisia Gentileschi and Feminism in Early Modern Europe, Warburg Institute, 20 juin 2023

Artemisia Gentileschi and Feminism in Early Modern Europe – Mary D. Garrard (Professor Emerita, American University Washington DC) in conversation with Beverley Brown (Warburg Institute) and François Quiviger (Warburg Institute) Artemisia Gentileschi is by far the most famous woman artist of the pre-modern era. Her art addresses issues that resonate today, such as sexual violence and women’s problematic access to political power. Her forceful paintings with their vigorous female protagonists have excited modern audiences. This book breaks...

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