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Catégorie : Expositions

Exposition: “Le triptyque de Moulin”, Paris, Musée du Louvre, du 26 novembre 2025 au 31 août 2026

Le Triptyque de Moulins de Jean Hey est l’un des chefs-d’œuvre absolus de la peinture française à l’aube du XVIe siècle. Sa restauration (2022-2025), décidée et pilotée par la direction régionale des affaires culturelles (DRAC) Auvergne – Rhône-Alpes, conduite au Centre de recherche et de restauration des musées de France (C2RMF) et réalisée par les restaurateurs de l’atelier Arcanes et de l’atelier Tournillon, est un événement considérable dans l’actualité patrimoniale en France. Il s’agit d’un...

Exposition: “Hommage an Vittore Carpaccio Ein restauriertes Meisterwerk und die Malerei Venedigs um 1500”, Berlin,Gemäldegalerie, du 20 novembre 2025 au 6 avril 2026

Die „Grabbereitung Christi“ ist eines von zwei großformatigen Meisterwerken von Vittore Carpaccio (um 1465–1525/26), mit denen der venezianische Künstler in der Gemäldegalerie hervorragend repräsentiert ist. In den letzten Jahren wurde die „Grabbereitung“ sorgfältig restauriert, wodurch die Farben des Gemäldes wieder in ihrer ganzen Pracht erstrahlen. 500 Jahre nach Carpaccios Tod steht das Werk im Mittelpunkt einer Sonderpräsentation, die auch andere venezianische Gemälde aus eigenem Bestand, grafische Werke aus dem Kupferstichkabinett sowie die Reproduktion einer Tafel aus...

Exposition : “Caravaggio’s “Boy with a Basket of Fruit” in Focus”, New York, The Morgan Library and Museum, du 16 janvier au 19 avril 2026

This exhibition celebrates the extraordinary loan from the Galleria Borghese in Rome of the painting Boy with a Basket of Fruit, an important early work by Michelangelo Merisi, known as Caravaggio (1571–1610). Trained in his native Lombardy, Caravaggio brought to Rome a tradition of naturalism that stretched back to Leonardo da Vinci’s work in Milan. He combined this tradition, however, with a revolutionary approach to painting that shattered the illusion of art and instead celebrated...

Exposition: “Giovanni Bellini’s “Pietà” Restored”, New York, The Morgan Library & Museum, du 15 janvier au 19 avril 2026

The early Renaissance masterpiece Pietà (also known as Dead Christ Supported by Angels, ca. 1470) by Giovanni Bellini (1424/26–1516) will be on view in the United States for the first time, on loan from the Museo della Città in Rimini, Italy. The presentation follows a comprehensive conservation treatment made possible by Venetian Heritage, Inc. The painting will be displayed in J. Pierpont Morgan’s Study within the Morgan’s historic library, alongside highlights of Morgan’s own Renaissance...

Exposition : “SORELLE ARTI pittura scultura architettura dall’Accademia di San Luca”, Fermo, Palazzo dei Priori, du 27 septembre 2025 au 1er février 2026.

I Musei di Fermo presentano a Palazzo dei Priori la mostra Sorelle Arti. Pittura scultura architettura dall’Accademia di San Luca, a cura di Laura Bertolaccini, Carolina Brook, Elisa Camboni. La mostra ripercorre la storia dell’Accademia Nazionale di San Luca, dalle sue origini nel 1593 fino ai primi decenni del Novecento, attraverso 80 opere emblematiche che raccontano oltre quattro secoli di storia dell’arte, restituendo la complessità e la ricchezza di un’istituzione che ha avuto un ruolo centrale nel definire il gusto, la...

Exposition : “Drawing the Italian Renaissance”, The King’s Gallery, Palace of Holyroodhouse, du 17 Octobre 2025 au 1er Mars 2026

The Renaissance period saw a dramatic transformation in the way that artists worked, with a new-found appreciation for creativity pushing artistic boundaries. Drawing became central to this development, evolving from an essential tool of workshop practice to an exciting art form in its own right. This exhibition brings together a wide range of drawings from this revolutionary artistic period, including 45 drawings never exhibited in Scotland before.  Exploring the diversity and accomplishment of drawing across...

Exposition : « San Giorgio. Il viaggio di un santo cavaliere dall’Oriente a Genova », Gênes, Palazzo Reale/Teatro del Falcone, du 31 octobre 2025 au 1er mars 2026

La mostra è la prima importante rassegna dedicata a san Giorgio, uno dei quattro santi patroni di Genova. La sua figura, simbolo di protezione, è diffusa sin dal Medioevo nelle immagini religiose, sui portali dei palazzi, nei documenti ufficiali come nel gonfalone della città. La sua bandiera, una croce rossa su fondo bianco, sventola ancora oggi sui palazzi pubblici. Patrono dei cavalieri, invocato come protettore dalla peste, il legame tra san Giorgio e la Repubblica...

Exposition : “Diavolerie. Guercino magico, macabro e demoniaco”, Cento, Église San Lorenzo, du 1er novembre 2025 au 11 janvier 2026.

Apre il 1° novembre a Cento la mostra Diavolerie. Guercino magico, macabro e demoniaco, allestita nella chiesa di San Lorenzo e promossa dalla Fondazione Cassa di Risparmio di Cento in collaborazione con i Servizi Culturali del Comune. Curata da Fausto Gozzi e Valeria Tassinari, la rassegna presenta incisioni antiche della collezione della Fondazione e riproduzioni di disegni conservati in collezioni private e museali internazionali. Incantesimi, sortilegi, creature d’immaginazione, scene macabre: dal Guercino non ce li aspettiamo, abituati alle sue figure devote e alla ricerca...

Exposition: “Filippino Lippi and Rome”, Cleveland, Museum of art du 26 novembre 2025 au 22 février 2026

In the century following his death, Florentine painter Filippino Lippi (c. 1457–1504) was celebrated as “a painter of the most beautiful intelligence and the most lovely invention.” After training with his father—the luminary artist Fra Filippo Lippi—Filippino Lippi apprenticed and collaborated with Sandro Botticelli, in whose workshop he developed his own style. Filippino found great success as an independent painter in late quattrocento Florence and won the favor of patrician families as well as the patronage of...

Exposition : “Neapolitan Nativity scene”, Madrid, Musée national de Thyssen-Bornemisza, du 19 novembre 2025 au 7 janvier 2026.

Isidro Brunete Collection This crib began to be assembled in the 1970s through the acquisition from several Spanish collections of groups such as the Nativity itself (Virgin, Child and Saint Joseph); the Magi; and other figures which enact the various scenes accompanying the birth of Christ. One of the most spectacular sets is that of the angels, which hover above the buildings, some holding small metal incense burners. Their dynamism, movement and strength are conveyed...