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Étiqueté : XIVe siècle

Appel à contribution : « Matter, Senses, and Spiritual Experience in the Middle Ages », Padoue, Università degli Studi di Padova, 6-8 mai 2026, date limite le 31 octobre 2025

Materialising the Holy. Matter, Senses, and Spiritual Experience in the Middle Ages – 4th International Multidisciplinary Conference of the Series ‘Experiencing the Sacred’. Organisers: Zuleika Murat, Valentina Baradel, Vittorio Frighetto, Teresa Martínez Martínez. In recent years, the growing interest in materiality has shifted art-historical inquiry from a primary focus on images to the physical and material characteristics of objects themselves. No longer viewed merely as carriers of representation, materials have emerged as crucial sites of...

Séminaire : “Nicola and Giovanni Pisano at the Fontana Maggiore in Perugia”, Londres, Birkbeck College, Keynes Library (et en ligne), le 19 Mars 2025, de 17h à 18h30 (heure locale)

At this Murray Seminar, Laura Jacobus will share her research on: A ‘Most Pleasing Flower among Equally Excellent Sculptors’: Nicola and Giovanni Pisano at the Fontana Maggiore in Perugia The Fontana Maggiore of Perugia, one of the best-preserved secular monuments of medieval Europe, is decorated by more than fifty sculptures. Its creators, Nicola Pisano and his son Giovanni, were the two star sculptors of thirteenth-century Italy. This seminar paper takes a fresh look at the...

Appel à contribution : « La Danse macabre de Paris de 1424-1425 », Paris, 1-4 octobre 2025, date limite le 1er octobre 2024

L’association Danses macabres d’Europe (DME) a été créée en France en 1987 par Bertrand et Hélène Utzinger ; plusieurs groupes sont nés ensuite progressivement en Suisse, en Italie, aux Pays-Bas, en Allemagne et en Autriche. DME a ainsi organisé régulièrement plusieurs congrès internationaux en France et à l’étranger. Le premier congrès a eu lieu à Clusone (Lombardie) en 1987, puis sont venus les congrès de Chartres (1988), Kientzheim (Alsace) en 1990, Straubing (Bavière) en 1992,...

Exposition : « Couleur, Gloire et Beauté », Colmar, Musée Unterlinden, 4 mai-23 septembre 2024

Le musée des Beaux-Arts et d’Archéologie de Besançon, le Musée Unterlinden de Colmar ainsi que le musée des Beaux-Arts de Dijon en partenariat avec l’Institut national d’histoire de l’art (INHA) présentent du 4 mai au 23 septembre 2024 une exposition en trois volets, consacrée à la peinture germanique de 1370 à 1550. Près de 200 œuvres des collections françaises y sont ainsi déployées pour retracer la richesse de cette production. Aux côtés de grands maîtres, tels...

Appel à contribution : « The Image of the Stigmata », Falconara Marittima, Biblioteca francescana picena, 21-23 novembre 2024, date limite le 4 mai 2024

The Image of the Stigmata. Incarnation and representation of faith in figurative and textual culture. 21-23 November 2024, Biblioteca Francescana Picena “San Giacomo della Marca”, Falconara Marittima, AN. Curated by di Monica Bocchetta, Caterina Paparello, Lorenzo Turchi In the context of the VIII centenary of Saint Francis’s Stigmata a conference is promoted looking into the theme of the narration of stigmata in art and in written tradition, according to the advanced study of Chiara Frugoni...

Parution : Karl Whittington, “Trecento Pictoriality: Diagrammatic Painting in Late Medieval Italy”, Turnhout, Brepols, 2023

In dozens of monumental examples across central and northern Italy, late-medieval artists created complex diagrammatic paintings whose content was conveyed not through proto-perspectival spaces but rather through complex circles, trees, hierarchical stemmata, and winding pathways. Trecento Pictoriality is the first comprehensive study of the practice of monumental diagrammatic painting in late-medieval Italy, moving the study of diagrams from the manuscript page to the frescoed wall and tempera panel. Often placed alongside narrative, devotional, and allegorical...

Exposition : « The Lost Mirror. The image of Jews and Judaism in the Middle Ages », Madrid, Museo Nacional del Prado, 10 octobre 2023-14 janvier 2024 

Spanish art of the Late Middle Ages (13th to 15th centuries) was the setting for a complex and multi-faceted construction of the image of Jewish people. Figurative strategies went far beyond mere stigmatisation or demonisation and also gave rise to positive images that reveal co-existence and cultural exchange. Rather than focusing on issues common to the rest of Europe, this exhibition is notable for presenting a series of works and pictorial programmes that are absolutely...

Exposition : « Dai primitivi a Filippo Lippi. Il nuovo allestimento di Palazzo Barberini », Rome, Gallerie Nazionali Barberini Corsini, 28 avril 2022-30 juin 2023

Da venerdì 29 aprile 2022 le Gallerie Nazionali di Arte Antica riaprono le porte delle undici sale del piano terra di Palazzo Barberini, completamente rinnovate e riallestite. Con questo intervento, a cura di Flaminia Gennari Santori con Maurizia Cicconi e Michele Di Monte, e progetto allestitivo di Enrico Quell, si conclude, dopo tre anni, il complesso riallestimento della collezione permanente del museo. Le 50 opere del piano terra, dall’Alto Medioevo al primissimo Cinquecento, sono disposte...

Parution : Yuko Katsutani, « Les peintures murales de Saint-Bonnet-le-Château. Le programme dévotionnel et dynastique (fin XIVe-début XVe s.) », Turnhout, Brepols, 2023

Les peintures murales de la chapelle basse de la collégiale de Saint-Bonnet-le-Château présentent un riche programme iconographique, supposant la succession de commanditaires distincts au début du XVe s. La première phase fut dévotionnelle ; la seconde affecta le décor de la voûte, à l’initiative d’Anne Dauphine, et proposa avec les Anges musiciens une iconographie élaborée, inspirée mais adaptée des exemples du Mans, en hommage à son époux défunt, Louis II, duc de Bourbon. Le talent...

Conférence : « Genoa, Venice, and their colonies compared », Cracovie, The Bishop Erazm Ciołek Palace, National Museum Kraków/Lanckoroński Room, Collegium Iuridicum, Department of the History of Art of the Jagiellonian University in Kraków, 1-2 avril 2023

Genoa, Venice, and their colonies compared, 13th to 16th century. People, Power, and Art. Comparisons between Genoa and Venice has been drawn, if at all, primarily from the perspective of the discipline of history. Both similarities and differences have been noted, but it has also been questioned whether a comparative approach is useful at all, positing the two sea powers as „incomparable”. However, the way in which Genoa and Venice established a system of colonies...