Étiqueté : XVIe siècle

Appel à contribution : « Woven Paintings », Madrid, Moll Institute, 8 novembre 2024, date limite le 7 juin 2024

Since 2020, the Moll Institute (Madrid) and the Périer-D’Ieteren Foundation (Brussels) have been conducting a research program aimed at identifying and studying the art that developed in Flanders and Burgundy from the 15th to the 17th centuries, which is still preserved in Spanish collections. As part of this collaboration, in 2023, a series of study sessions began to be held to share, deepen, and disseminate the work of specialists in the field. The 2023 study...

Exposition : « Couleur, Gloire et Beauté », Colmar, Musée Unterlinden, 4 mai-23 septembre 2024

Le musée des Beaux-Arts et d’Archéologie de Besançon, le Musée Unterlinden de Colmar ainsi que le musée des Beaux-Arts de Dijon en partenariat avec l’Institut national d’histoire de l’art (INHA) présentent du 4 mai au 23 septembre 2024 une exposition en trois volets, consacrée à la peinture germanique de 1370 à 1550. Près de 200 œuvres des collections françaises y sont ainsi déployées pour retracer la richesse de cette production. Aux côtés de grands maîtres, tels...

Exposition : « Faszination Rom. Maarten van Heemskerck zeichnet die Stadt », Berlin, Kulturforum, 26 avril-4 août 2024

The Kupferstichkabinett Berlin owns two spectacular albums with around 160 drawings by the Dutch artist Maarten van Heemskerck (1498–1574), executed in Rome between 1532 and 1536/37. During these years he wandered through the city, visited collections of antiquities, made pilgrimages to the holy sites, and filled his sketchbook with drawings. These include wide panoramas and city views as well as studies of ancient ruins and sculptures. In this way, he compiled an extensive stock of...

Appel à contribution : « La carte, ‘ œil de l’histoire ’ (XVIe-XVIIIe siècle) », Paris, Bibliothèque nationale de France, 8 octobre 2024, date limite le 15 mai 2024

Selon le cartographe anversois Abraham Ortelius (1527-1598), la géographie est «  l’œil de l’histoire  », reprenant une expression déjà courante et en passe de devenir un véritable topos décliné en diverses formulations dans les siècles suivants. Cette expression illustre le lien étroit qui unit histoire et géographie, tout en posant une relation d’inféodation de la seconde par la première. Dans cette perspective, la géographie est perçue comme une discipline auxiliaire à l’histoire et un instrument utile à sa...

Conférence : Peter Mason, « Ulisse Aldrovandi Naturalist and Collector », Londres/en ligne, Warburg Institute, 19 avril 2024

Renaissance Lives – Ulisse Aldrovandi Naturalist and Collector Peter Mason in conversation with David Lines (Warwick) The Bolognese naturalist Ulisse Aldrovandi was a prolific writer, polymath and prodigious collector who amassed the largest collection of naturalia in sixteenth-century Europe, as well as hundreds of coloured drawings detailing them. Many of these drawings found their way into his illustrated publications, most of which were published posthumously.
This book provides a concise yet comprehensive portrait of Aldrovandi, paying...

Journée d’étude : « Del regalo a la almoneda », Madrid, Facultad de Geografía e Historia, 11-12 avril 2024

En octubre de 1524, Giulio Romano fue llamado desde Roma a Mantua para convertirse en el artista de corte predilecto de la familia Gonzaga. Allí diseñó arquitecturas efímeras y permanentes, como el famoso Palazzo Te, un hito en la nueva cultura cortesana del deleite, heredera de los modelos romanos. Además, formuló nuevas propuestas para entender la pintura mural y diseñó ricas piezas de orfebrería que acompañaban banquetes y espectáculos tanto en el Palacio Ducal como...

Exposition : « Bruegel to Rubens. Great Flemish Drawings », Oxford, Ashmolean Museum, 23 mars-23 juin 2024

Showcasing over 100 exceptional Flemish drawings from the 16th and 17th centuries. From Pieter Bruegel’s remarkable print designs and landscapes and Rubens’s first sketches to heartfelt friendship albums shared between artists, this major exhibition presents drawings from many of the Flemish masters. These artworks, accompanied by paintings, prints and other objects they inspired, will be brought together for the first time. They represent some of the most exquisite drawings kept in Antwerp and Oxford collections, created by...

Appel à contribution : « Playing Fools? The Art of the Jester in Modern Europe », Charenton/Paris, Médiathèque du Patrimoine et de la Photographie/Institut National d’Histoire de l’Art/Musée du Louvre, 18-20 novembre 2024, date limite le 1er avril 2024

The jester is a paradoxical figure: a subordinate included in elite social circles. Thus, he is an outsider, albeit a remarkably proficient one. Jesters, comprising fools, dwarfs, and other “monsters” – both men and women, often with disabilities – are itinerant, travelling from one court to another or from the precursors of psychiatric hospitals to the realms of royalty. Examining the jesters’ craft – as virtuosos and outsiders – provides an innovative perspective on European...

Exposition : « Moroni (1521-1580). Il ritratto del suo tempo », Milan, Gallerie d’Italia, 6 décembre 2023-1er avril 2024

La mostra “Moroni (1521-1580). Il ritratto del suo tempo” intende celebrare l’artista bergamasco, tra i maggiori interpreti della pittura rinascimentale lombarda. Autore anche di significative opere devozionali, presenti in mostra, Moroni è però noto soprattutto per la sua innovativa attività di ritrattista.  Molti i ritratti realizzati dall’artista qui esposti definiti ritratti “in azione”, moderne raffigurazioni di personaggi che, attraverso un gesto, uno sguardo, entrano in contatto con lo spettatore superando la lontananza emotiva e la...

Colloque : « Drawing and Invention in Italy (16th-18th centuries) », L’Aquila, Fondazione Carispaq/Università degli Studi dell’Aquila, 28-29 février 2024

Outside the Center. Drawing and Invention in «Middle» and Southern Italy (16th-18th centuries) / Fuori dal centro. Disegno e invenzione nell’Italia di mezzo e al Sud (secoli XVI-XVIII). International conference organized by Michele Maccherini, Luca Pezzuto, Simonetta Prosperi Valenti Rodinò 28 February 2024 Fondazione Carispaq, Auditorium (Corso Vittorio Emanuele II, no. 196) 12:00 Greeting Fabrizio Marinelli, President of Members’ Assembly of the Fondazione Carispaq Edoardo Alesse, Rector of the Università degli Studi dell’Aquila Marco Segala, Director...

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